LEADER 05122nam 2200745 a 450 001 9910458831803321 005 20240712005607.0 010 $a9786612602115 010 $a9781282602113 010 $a128260211X 010 $a9789047429975 010 $a9047429974 024 7 $a10.1163/ej.9789004176539.i-490 035 $a(CKB)2670000000011347 035 $a(EBL)489309 035 $a(OCoLC)593352795 035 $a(SSID)ssj0000338719 035 $a(PQKBManifestationID)11231204 035 $a(PQKBTitleCode)TC0000338719 035 $a(PQKBWorkID)10322679 035 $a(PQKB)11301197 035 $a(OCoLC)318867162 035 $a(nllekb)BRILL9789047429975 035 $a(Au-PeEL)EBL489309 035 $a(CaPaEBR)ebr10372677 035 $a(CaONFJC)MIL260211 035 $a(ScCtBLL)76ee03c2-c088-4163-866f-589050d7098e 035 $a(MiAaPQ)EBC489309 035 $a(PPN)174391277 035 $a(oapen)doab72400 035 $a(EXLCZ)992670000000011347 100 $a20090602d2009 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aHow India clothed the world $ethe world of South Asian textiles, 1500-1850 /$fedited by Giorgio Riello, Tirthankar Roy, with the collaboration of Om Prakash and Kaoru Sugihara 205 $a1st ed. 210 $aLeiden ;$aBoston $cBrill$d2009 215 $a1 online resource (524 p.) 225 1 $aGlobal economic history series,$x1872-5155 ;$vv. 4 300 $aDescription based upon print version of record. 311 08$a9789004255319 311 08$a9004255311 311 08$a9789004176539 311 08$a9004176535 320 $aIncludes bibliographical references and index. 327 $tPreliminary Material /$rGiorgio Riello and Tirthankar Roy --$tIntroduction: The World of South Asian Textiles, 1500?1850 /$rGiorgio Riello and Tirthankar Roy --$tSoutheast Asian Consumption of Indian and British Cotton Cloth, 1600?1850 /$rAnthony Reid --$tCloths of a New Fashion: Indian Ocean Networks of Exchange and Cloth Zones of Contact in Africa and India in the Eighteenth and Nineteenth Centuries /$rPedro Machado --$tEnglish versus Indian Cotton Textiles: The Impact of Imports on Cotton Textile Production in West Africa /$rJoseph E. Inikori --$tBritish Exports of Raw Cotton from India to China during the Late Eighteenth and Early Nineteenth Centuries /$rH. V. Bowen --$tThe Resurgence of Intra-Asian Trade, 1800?1850 /$rKaoru Sugihara --$tThe Textile Industry and the Economy of South India, 1500?1800 /$rDavid Washbrook --$tFour Centuries of Decline? Understanding the Changing Structure of the South Indian Textile Industry /$rIan C. Wendt --$tFrom Market-Determined to Coercion-Based: Textile Manufacturing in Eighteenth-Century Bengal /$rOm Prakash --$tThe Political Economy of Textiles in Western India: Weavers, Merchants and the Transition to a Colonial Economy /$rLakshmi Subramanian --$tCompetition and Control in the Market for Textiles: Indian Weavers and the English East India Company in the Eighteenth Century /$rBishnupriya Gupta --$tThe Indian Apprenticeship: The Trade of Indian Textiles and the Making of European Cottons /$rGiorgio Riello --$tThe French Connection: Indian Cottons and Their Early Modern Technology /$rGeorge Bryan Souza --$tFashioning Global Trade: Indian Textiles, Gender Meanings and European Consumers, 1500?1800 /$rBeverly Lemire --$tQuality, Cotton and the Global Luxury Trade /$rMaxine Berg --$tHistorical Issues of Deindustrialization in Nineteenth-Century South India /$rPrasannan Parthasarathi --$tGlossary /$rGiorgio Riello and Tirthankar Roy --$tBibliography /$rGiorgio Riello and Tirthankar Roy --$tNotes on Contributors /$rGiorgio Riello and Tirthankar Roy --$tIndex /$rGiorgio Riello and Tirthankar Roy. 330 $aCloth has always been the most global of all traded commodities. It is an illuminating example of the circulation of goods, skills, knowledge and capital across wide geographic spaces. South Asia has been central to the making of these global exchanges over time. This volume presents innovative research that explores the dynamic ways in which diverse textile production and trade regions generated the ?first globalization?. A series of experts connect this global commodity with the dramatic political and economic transformations that characterised the Indian Ocean in the seventeenth and eighteenth centuries. Collectively, the essays transform our understanding of the contribution of South Asian cloth to the making of the modern world economy. 410 0$aGlobal economic history series ;$vv. 4. 606 $aTextile fabrics$zIndia$xHistory 606 $aTextile industry$zIndia 615 0$aTextile fabrics$xHistory. 615 0$aTextile industry 676 $a382/.4567700954 701 $aRiello$b Giorgio$0313379 701 $aRoy$b Tirthankar$0460938 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910458831803321 996 $aHow India clothed the world$91898670 997 $aUNINA LEADER 05860nam 22007694a 450 001 9910965498703321 005 20251116150311.0 010 $a9786612762932 010 $a9780520937178 010 $a0520937171 010 $a9781597348034 010 $a1597348031 010 $a9781282762930 010 $a1282762931 024 7 $a10.1525/9780520937178 035 $a(CKB)1000000000024204 035 $a(EBL)223005 035 $a(OCoLC)475926925 035 $a(SSID)ssj0000219877 035 $a(PQKBManifestationID)11220327 035 $a(PQKBTitleCode)TC0000219877 035 $a(PQKBWorkID)10249191 035 $a(PQKB)11545307 035 $a(StDuBDS)EDZ0000084565 035 $a(MiAaPQ)EBC223005 035 $a(OCoLC)56733766 035 $a(MdBmJHUP)muse30922 035 $a(DE-B1597)520703 035 $a(DE-B1597)9780520937178 035 $a(Au-PeEL)EBL223005 035 $a(CaPaEBR)ebr10068592 035 $a(CaONFJC)MIL276293 035 $a(Perlego)551824 035 $a(EXLCZ)991000000000024204 100 $a20040120d2004 uy 0 101 0 $aeng 135 $aurnn#---|u||u 181 $ctxt 182 $cc 183 $acr 200 00$aPerforming ethnomusicology $eteaching and representation in world music ensembles /$fedited by Ted Solis 205 $a1st ed. 210 $aBerkeley $cUniversity of California Press$dc2004 215 $a1 online resource (332 p.) 300 $aDescription based upon print version of record. 311 0 $a9780520238749 311 0 $a0520238745 311 0 $a9780520238312 311 0 $a0520238311 320 $aIncludes bibliographical references (p. 289-302) and index. 327 $tFront matter --$tContents --$tAcknowledgments --$tIntroduction. Teaching What Cannot Be Taught: An Optimistic Overview --$tChapter 1. Subject, Object, and the Ethnomusicology Ensemble The Ethnomusicological "We" and "Them" --$tChapter 2. "A Bridge to Java" Four Decades Teaching Gamelan in America --$tChapter 3. Opportunity and Interaction The Gamelan from Java to Wesleyan --$tChapter 4. "Where's 'One'?" Musical Encounters of the Ensemble Kind --$tChapter 5. A Square Peg in a Round Hole Teaching Javanese Gamelan in the Ensemble Paradigm of the Academy --$tChapter 6. "No, Not 'Bali Hai'!" Challenges of Adaptation and Orientalism in Performing and Teaching Balinese Gamelan --$tChapter 7. Cultural Interactions in an Asian Context Chinese and Javanese Ensembles in Hong Kong --$tChapter 8. "Can't Help but Speak, Can't Help but Play" Dual Discourse in Arab Music Pedagogy --$tChapter 9. The African Ensemble in America Contradictions and Possibilities --$tChapter 10. Klez Goes to College --$tChapter 11. Creating a Community, Negotiating Among Communities Performing Middle Eastern Music for a Diverse Middle Eastern and American Public --$tChapter 12. Bilateral Negotiations in Bimusicality Insiders, Outsiders, and the "Real Version" in Middle Eastern Music Performance --$tChapter 13. Community of Comfort Negotiating a World of "Latin Marimba" --$tChapter 14. What's the "It" That We Learn to Perform? Teaching BaAka Music and Dance --$tChapter 15. "When Can We Improvise?" The Place of Creativity in Academic World Music Performance --$tAfterword. Some Closing Thoughts from the First Voice --$tWorks Cites --$tContributors --$tIndex 330 $aPerforming Ethnomusicology is the first book to deal exclusively with creating, teaching, and contextualizing academic world music performing ensembles. Considering the formidable theoretical, ethical, and practical issues that confront ethnomusicologists who direct such ensembles, the sixteen essays in this volume discuss problems of public performance and the pragmatics of pedagogy and learning processes. Their perspectives, drawing upon expertise in Caribbean steelband, Indian, Balinese, Javanese, Philippine, Mexican, Central and West African, Japanese, Chinese, Middle Eastern, and Jewish klezmer ensembles, provide a uniquely informed and many-faceted view of this complicated and rapidly changing landscape. The authors examine the creative and pedagogical negotiations involved in intergenerational and intercultural transmission and explore topics such as reflexivity, representation, hegemony, and aesthetically determined interaction. Performing Ethnomusicology affords sophisticated insights into the structuring of ethnomusicologists' careers and methodologies. This book offers an unprecedented rich history and contemporary examination of academic world music performance in the West, especially in the United States. "Performing Ethnomusicology is an important book not only within the field of ethnomusicology itself, but for scholars in all disciplines engaged in aspects of performance-historical musicology, anthropology, folklore, and cultural studies. The individual articles offer a provocative and disparate array of threads and themes, which Solís skillfully weaves together in his introductory essay. A book of great importance and long overdue."-R. Anderson Sutton, author of Calling Back the Spirit Contributors: Gage Averill, Kelly Gross, David Harnish, Mantle Hood, David W. Hughes, Michelle Kisliuk, David Locke, Scott Marcus, Hankus Netsky, Ali Jihad Racy, Anne K. Rasmussen, Ted Solís, Hardja Susilo, Sumarsam, Ricardo D. Trimillos, Roger Vetter, J. Lawrence Witzleben 606 $aEthnomusicology 606 $aWorld music$xInstruction and study 606 $aFolk music groups 615 0$aEthnomusicology. 615 0$aWorld music$xInstruction and study. 615 0$aFolk music groups. 676 $a780/.89 701 $aSoli?s$b Ted$01867896 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910965498703321 996 $aPerforming ethnomusicology$94475658 997 $aUNINA