LEADER 03933nam 22009015 450 001 9910965417103321 005 20240312103530.0 010 $a9786611369798 010 $a9781281369796 010 $a1281369799 010 $a9781403983176 010 $a1403983178 024 7 $a10.1057/9781403983176 035 $a(CKB)1000000000342553 035 $a(SSID)ssj0000276954 035 $a(PQKBManifestationID)11225206 035 $a(PQKBTitleCode)TC0000276954 035 $a(PQKBWorkID)10232992 035 $a(PQKB)10504089 035 $a(DE-He213)978-1-4039-8317-6 035 $a(MiAaPQ)EBC307609 035 $a(Au-PeEL)EBL307609 035 $a(CaPaEBR)ebr10150420 035 $a(CaONFJC)MIL136979 035 $a(OCoLC)277005918 035 $a(Perlego)3496204 035 $a(EXLCZ)991000000000342553 100 $a20151203d2006 u| 0 101 0 $aeng 135 $aurnn#008mamaa 181 $ctxt 182 $cc 183 $acr 200 10$aAppropriation as Practice $eArt and Identity in Argentina /$fby A. Schneider 205 $a1st ed. 2006. 210 1$aNew York :$cPalgrave Macmillan US :$cImprint: Palgrave Macmillan,$d2006. 215 $a1 online resource (256 p.) 225 1 $aStudies of the Americas 300 $aRevision of the author's thesis (Habilitation)--University of Hamburg, 2004. 311 08$a9781349534401 311 08$a1349534404 311 08$a9781403973146 311 08$a1403973148 320 $aIncludes bibliographical references (p. [211]-226) and indexes. 327 $aCover -- Contents -- List of Figures -- Acknowledgments -- Chapter 1 Introduction: The Paradoxes of Identity in Argentina -- Chapter 2 Theoretical Foundations: On Appropriation and Culture Change -- Chapter 3 The Buenos Aires Art World: Sites of Appropriation -- Chapter 4 Copy and Creation: Potters, Graphic Designers, Textile Artists -- Chapter 5 Fashionable Savages: Photographic Representations of the Indigenous -- Chapter 6 Setting up Roots: On the Set of a Cinema Movie in a Mapuche Reservation -- Chapter 7 Practices of Artistic Fieldwork and Representation: The Case of Teresa Pereda's Bajo el Nombre de San Juan -- Chapter 8 The Indiginization of Identity -- Appendix I: A Note on Methodology, or the Challenge of Artistic Practices -- Appendix II: Structure of the Buenos Aires Art World -- Notes -- Bibliography -- Name Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- K -- L -- M -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Subject Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W. 330 $aHow the "traffic in culture" is practiced, rationalized and experienced by visual artists in the globalized world. The book focuses on artistic practices in the appropriation of indigenous cultures, and the construction of new Latin American identities. Appropriation is the fundamental theoretical concept developed to understand these processes. 410 0$aStudies of the Americas 606 $aArts 606 $aEthnology 606 $aEthnology$zLatin America 606 $aCulture 606 $aAnthropology 606 $aSociology 606 $aArts 606 $aSociocultural Anthropology 606 $aLatin American Culture 606 $aAnthropology 606 $aSociology 615 0$aArts. 615 0$aEthnology. 615 0$aEthnology 615 0$aCulture. 615 0$aAnthropology. 615 0$aSociology. 615 14$aArts. 615 24$aSociocultural Anthropology. 615 24$aLatin American Culture. 615 24$aAnthropology. 615 24$aSociology. 676 $a709.82/0904 700 $aSchneider$b Arnd$f1960-$0443684 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910965417103321 996 $aAppropriation as practice$989009 997 $aUNINA