LEADER 03003nam 2200721 a 450 001 9910965312803321 005 20200520144314.0 010 $a9786611966577 010 $a9781281966575 010 $a1281966576 010 $a9780226774572 010 $a0226774570 024 7 $a10.7208/9780226774572 035 $a(CKB)1000000000579457 035 $a(EBL)408283 035 $a(OCoLC)476228404 035 $a(SSID)ssj0000157824 035 $a(PQKBManifestationID)11163987 035 $a(PQKBTitleCode)TC0000157824 035 $a(PQKBWorkID)10145162 035 $a(PQKB)10110033 035 $a(MiAaPQ)EBC408283 035 $a(DE-B1597)524524 035 $a(OCoLC)1058370198 035 $a(DE-B1597)9780226774572 035 $a(Au-PeEL)EBL408283 035 $a(CaPaEBR)ebr10266040 035 $a(CaONFJC)MIL196657 035 $a(Perlego)1842543 035 $a(EXLCZ)991000000000579457 100 $a20060919d2007 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aFramed time $etoward a postfilmic cinema /$fGarrett Stewart 205 $a1st ed. 210 $aChicago $cUniversity of Chicago Press$d2007 215 $a1 online resource (311 p.) 225 1 $aCinema and modernity 300 $aDescription based upon print version of record. 311 08$a9780226774169 311 08$a0226774163 311 08$a9780226774152 311 08$a0226774155 320 $aIncludes bibliographical references (p. 267-282) and index. 327 $tFrontmatter -- $tContents -- $tAcknowledgments -- $tIntroduction : On Optical Allusion -- $t1.Lexeme To Pixel : An Experiment In Narratography -- $t2.Trick Beginnings And The European Uncanny -- $t3. Out Of Body In Hollywood -- $t4. Temportation -- $t5.Vr From Cimnemonics To Digitime -- $t6. Media Archaeology, Hermeneutics, Narratography -- $tAppendix: Precinematics; or, Reading the Narratogram -- $tNotes -- $tTerms -- $tIndex 330 $aItalian director Michelangelo Antonioni claimed, three decades ago, that different conceptions of time helped define the split in film between European humanism and American science fiction. And as Garrett Stewart argues here, this transatlantic division has persisted since cinema's 1995 centenary, made more complex by the digital technology that has detached movies from their dependence on the sequential frames of the celluloid strip.Brilliantly interpreting dozens of recent films-from Being John Malkovich, Donnie Darko, and The Sixth Sense t 410 0$aCinema and modernity. 606 $aMotion pictures 606 $aSpace and time in motion pictures 615 0$aMotion pictures. 615 0$aSpace and time in motion pictures. 676 $a791.43/684 700 $aStewart$b Garrett$0552239 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910965312803321 996 $aFramed time$94359078 997 $aUNINA