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100   $a20041215d2003      uy         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aGreek tragedy in action /$fby Oliver Taplin
205   $a2nd ed.
210   $aLondon ;$aNew York $cRoutledge$d2003
215   $a1 online resource (166 p.)
300   $aDescription based upon print version of record.
311 08$a0-415-30251-X 
311 08$a0-203-08381-4 
320   $aIncludes bibliographical references (p. [194]-198) and index.
327   $aBook Cover; Title; Contents; List of plates; Preface; The visual dimension of tragedy; Stage management and stage directions; Introduction to nine plays; Exits and entrances; Actions and gestures; Objects and tokens; Tableaux, noises and silences; Mirror scenes; Scenic sequence; Emotion and meaning in the theatre; Round plays in square theatres; Notes; Select bibliography; Index of passages discussed; General index
330   $aOliver Taplin's seminal study was revolutionary in drawing out the significance of stage action in Greek tragedy at a time when plays were often read purely as texts, rather than understood as performances.Professor Taplin explores nine plays, including Aeschylus' agamemnon and Sophocles' Oedipus the King. The details of theatrical techniques and stage directions, used by playwrights to highlight key moments, are drawn out and related to the meaning of each play as a whole. With extensive translated quotations, the essential unity of action and speech in Greek tragedy is
606   $aGreek drama (Tragedy)$xHistory and criticism
606   $aTheater$zGreece$xHistory$yTo 500
615  0$aGreek drama (Tragedy)$xHistory and criticism.
615  0$aTheater$xHistory
676   $a882/.0109
686 00$a882.0109 TAP
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906   $aBOOK
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996   $aGreek tragedy in action$9557273
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