LEADER 01097nam0-22003731i-450- 001 990005462210203316 005 20010829120000.0 035 $a000546221 035 $aUSA01000546221 035 $a(ALEPH)000546221USA01 035 $a000546221 100 $a20010829d1995-------|0enac50------ba 101 $aeng 102 $aUS 105 $a|||| ||||| 200 1 $aHuman development report 1995$fOxford University Press 210 $aNew York$cOxford University Press$d1995 215 $a230p.$d28 cm. 606 $aSviluppo umano$2FI 620 $dNew York 676 $a338.9$cSviluppo economico$v21 710 02$aUnited Nations: Development Programme$0118788 712 $aOxford University press 801 $aIT$bSOL$c20120104 912 $a990005462210203316 950 $aDIP.TO SCIENZE ECONOMICHE - (SA)$dDS 300 338.9 und$e6870 DISES 951 $a300 338.9 und$b6870 DISES 959 $aBK 969 $aDISES 979 $c20121027$lUSA01$h1532 979 $c20121027$lUSA01$h1613 996 $aHuman development report 1995$931909 997 $aUNISA NUM $aUSA6305 LEADER 03808oam 2200685I 450 001 9910964919103321 005 20251116155945.0 010 $a0-203-08126-9 010 $a1-283-89426-2 010 $a1-136-17255-6 024 7 $a10.4324/9780203081266 035 $a(CKB)2550000000710857 035 $a(EBL)1101410 035 $a(OCoLC)823389768 035 $a(SSID)ssj0000786966 035 $a(PQKBManifestationID)11503706 035 $a(PQKBTitleCode)TC0000786966 035 $a(PQKBWorkID)10803136 035 $a(PQKB)10516579 035 $a(MiAaPQ)EBC1101410 035 $a(Au-PeEL)EBL1101410 035 $a(CaPaEBR)ebr10640540 035 $a(CaONFJC)MIL420676 035 $a(OCoLC)823040718 035 $a(FINmELB)ELB133875 035 $a(EXLCZ)992550000000710857 100 $a20180706d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aComedy and the public sphere $ethe rebirth of theatre as comedy and the genealogy of the modern public arena /$fArpad Szakolczai 205 $a1st ed. 210 1$aNew York :$cRoutledge,$d2013. 215 $a1 online resource (377 p.) 225 1 $aRoutledge studies in social and political thought ;$v77 225 0$aRoutledge studies in social and political thought ;$v77 300 $aDescription based upon print version of record. 311 08$a1-138-92066-5 311 08$a0-415-62391-X 320 $aIncludes bibliographical references and indexes. 327 $aIntroduction -- The public sphere as a theatrical arena of mocking contest: comedy, mask, laughter. The public and its masks: permanent hyper-critique and hypocritical performance -- Nietzsche's intuitions: from theatre through humanist philology to Richard Wagner, or the genealogy of the modern world as stage -- Ridiculing as public weapon --The rebirth of theatre as comedy out of the spirit of the Byzantium -- The Byzantine spirit and its sources. Transmitting, receiving and nurturing the Byzantine spirit -- The rise of theatre in Venice -- The effect mechanism of Commedia dell'Arte: visions and realities of commedification -- Commedia dell'Arte: schismogenic sub-plots and irresistible stock-types -- Shakespeare: the tragedy of world history being a comedy -- Representing representation: visionary images of Commedia dell'Arte -- The rebirth of Commedia dell'Arte as the Avant-garde. The rebirth of Pierrot as suffering victim -- Obsessed with Paris and public fame: Richard Wagner, the mimomaniac revolutionary -- Pierrot and Pulcinella in between Paris and Petersburg: the Avant-Garde of Diaghilev and Meyerhold -- Conclusion. 330 $aThe book aims at reframing the discussion on the ""public sphere,"" usually understood as the place where the public opinion is formed, through rational discussion. The aim of this book is to give an account of this rationality, and its serious shortcomings, examining the role of the media and the confusing of public roles and personal identity. It focuses in particular on the role of the theatrical and comical in the historical development of the public sphere, and in this manner reformulating definitions of common sense, personal identity, and culture. 410 0$aRoutledge Studies in Social and Political Thought 606 $aTheater$zEurope$xHistory 606 $aTheater and society$zEurope$xHistory 606 $aComedy 615 0$aTheater$xHistory. 615 0$aTheater and society$xHistory. 615 0$aComedy. 676 $a792.094 700 $aSzakolczai$b Arpad.$0123643 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910964919103321 996 $aComedy and the public sphere$94482523 997 $aUNINA