LEADER 03474oam 2200601 c 450 001 9910964697303321 005 20260202090927.0 010 $a9783838259956 010 $a3838259955 024 3 $a9783838259956 035 $a(CKB)2670000000547980 035 $a(EBL)3029480 035 $a(SSID)ssj0001466729 035 $a(PQKBManifestationID)11831236 035 $a(PQKBTitleCode)TC0001466729 035 $a(PQKBWorkID)11487940 035 $a(PQKB)10223961 035 $a(Au-PeEL)EBL5781817 035 $a(OCoLC)903956589 035 $a(MiAaPQ)EBC5781817 035 $a(Perlego)773307 035 $a(ibidem)9783838259956 035 $a(EXLCZ)992670000000547980 100 $a20260202d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe Biographer and the Subject$eA Study on Biographical Distance$fRana Tekcan, Koray Melikoglu 205 $a1st ed. 210 $aHannover$cibidem$d2012 215 $a1 online resource (178 p.) 225 0 $aStudies in English Literatures 300 $aDescription based upon print version of record. 311 08$a9783898219952 311 08$a389821995X 320 $aIncludes bibliographical references and index. 327 $a""Table of Contents""; ""Acknowledgements""; ""Introduction""; ""1 Eating and Drinking with the Subject: Johnsona???s Life of Savage and Boswella???s Life of Johnson""; ""2 Judas and The Frog Prince: Stracheya???s Eminent Victorians and Holroyda???s Lytton Strachey""; ""3 Too Far For Comfort: Honana???s Jane Austen, Her Life and Motiona???s Keats""; ""Conclusion""; ""Bibliography""; ""Index"" 330 $aA good biography is a well-staged illusion. It creates ? on paper ? a vivid, rounded, and immediate sense of lived life. In contrast to purely fictional forms, biography writing does not allow total freedom to the biographer in the creative act. Ideally, a biography?s backbone is formed by accurate historical facts. But its soul lies elsewhere. Since the concern is life, something more is needed: Nothing dry, cold or dead, but a vibrant impression of life that is left in the air after one turns over the last page. But how does a biographer do it? The way a biographer creates a subject is largely dictated by the historical distance between them. There are three types of distance in biographical writing: First, where the biographer and the subject personally know one another; second, where the biographer is a near contemporary of the subject; and third, where biographer and subject are distinctly separated, in some cases, by hundreds of years. Rana Tekcan explores how some of the most accomplished biographers manage to recreate ?life? across time and space. The subjects of her close readings are Samuel Johnson?s Life of Savage, James Boswell?s Life of Johnson, Lytton Strachey?s Eminent Victorians, Michael Holroyd?s Lytton Strachey, Park Honan?s Jane Austen, and Andrew Motion?s Keats. 410 0$aStudies in English literatures. 606 $aBiography as a literary form 615 0$aBiography as a literary form. 676 $a808.06692 700 $aTekcan$b Rana$4aut$01655203 702 $aMelikoglu$b Koray$4edt 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910964697303321 996 $aThe biographer and the subject$94007482 997 $aUNINA