LEADER 03967oam 2200589 c 450 001 9910964672103321 005 20260202090927.0 010 $a3-8382-7619-1 024 3 $a9783838276199 035 $a(CKB)4950000000283604 035 $a(MiAaPQ)EBC6788607 035 $a(Au-PeEL)EBL6788607 035 $a(OCoLC)1281969952 035 $a(ibidem)9783838276199 035 $a(EXLCZ)994950000000283604 100 $a20260202d2022 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aSasha Sokolov: The Life and Work of the Russian ?Proet? /$fMartina Napolitano, Reinhard Ibler 205 $a1st ed. 210 $aHannover$cibidem$d2022 215 $a1 online resource (163 pages) 225 0 $aLiteratur und Kultur im mittleren und östlichen Europa$v22 320 $aIncludes bibliographical references. 327 $aIntro -- Introduction -- Acknowledgements -- Chapter 1. Masquerade, or "Maintain your reputation!" -- The son of the nomenklatura -- An asocial profile in the Moscow underground scene -- Fleeing the city -- Getting ready to leave -- A stopover in Vienna -- A North-American nomad -- Sasha Sokolov, the lecturer -- Soviet Union, toccata and fugue -- "An eternal student of the globetrotting department" -- Chapter 2. On Early Trains, or Beyond Sasha Sokolov's Twilight Cosmos -- Emotional proximity -- Classification difficulty -- Close reading attempts -- Sasha Sokolov's baroqueness -- Chapter 3. Pictures from an Exhibition -- A language to compose texts -- A sound architecture -- Triptych's music -- Voices on stage -- Triptych's "theatre of pure reason" -- Chapter 4. Theory and Play of Proeziia -- A long proetic tradition -- A choice of awareness -- A baroque macro-genre -- In Lieu of a Conclusion -- References. 330 $aMartina Napolitano explores the poetics of one of the most significant Russian authors of the 20th century. Sasha Sokolov?s oeuvre represents a milestone in the development of Russian literature; his legacy can be traced in most prose and poetry appearing in post-Soviet Russia. Taking as point of departure the studies and analyses written so far and considering the new suggestions contained in Sokolov?s last published book Triptych (2011), Napolitano further examines the keystones and the theoretical framework that arise from a close reading of Sokolov?s works, trying to systematize the findings into what can be considered as a structured authorial theory of literary creation. The study demonstrates how Sokolov?s oeuvre cannot be fully understood but within the widened perspective of inter-artistic creation: in fact, the writer, a ?failed composer?, as he admits, in his literary work has tried to draw natural and spontaneous connecting lines between the artificially categorized realms of art (word, sound, painting, performance). Finally, the book sets forth the first solid analysis of Sokolov?s concept of proeziia, not merely a genre nor style of his own invention, but a more significant theoretical reflection of the writer about the role and value of literature, art, creation, and finally beauty. 410 0$aLiteratur und Kultur im mittleren und o?stlichen Europa ;$vVolume 22. 606 $aNovels 606 $aRussian Literature 606 $aRussian Poetics 606 $aRussische Dichtung 606 $aRussische Literatur 606 $aSasha Sokolov 615 4$aNovels 615 4$aRussian Literature 615 4$aRussian Poetics 615 4$aRussische Dichtung 615 4$aRussische Literatur 615 4$aSasha Sokolov 676 $a891.7344 700 $aNapolitano$b Martina$4aut$01610229 702 $aIbler$b Reinhard$4edt 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910964672103321 996 $aSasha Sokolov$93937926 997 $aUNINA