LEADER 00958cam0 22002893 450 001 SON0001483 005 20040211144142.0 010 $a8813221495 100 $a20040211d2000 |||||ita|0103 ba 101 $aita 102 $aIT 200 1 $aGestione dei rifiuti e sistema sanzionatorio$eIntegrato con la giurisprudenza comunitaria e nazionale$fSerenella Beltrame 210 $aPadova$cCEDAM$d2000 215 $aXVI,572 p.$d24 cm 300 $a(n.i.102302-ac) 610 0$aRifiuti:-giurisprudenza comunitaria 610 0$aRifiuti:-giurisprudenza nazionale 700 1$aBeltrame$b, Serenella$3AF00003977$4070$0269082 801 0$aIT$bUNISOB$c20040211$gRICA 850 $aUNISOB 852 $aUNISOB$j340|Bel|2595$m102302 912 $aSON0001483 940 $aM 102 Monografia moderna SBN 941 $aM 957 $d102302$p75.000$rACQUISTO$3UNISOB$a340|Bel|2595 996 $aGestione dei rifiuti e sistema sanzionatorio$9679006 997 $aUNISOB LEADER 00982nam a22002411i 4500 001 991002823599707536 005 20030807144629.0 008 030925s1962 it |||||||||||||||||ita 035 $ab12342440-39ule_inst 035 $aARCHE-038998$9ExL 040 $aBiblioteca Interfacoltà$bita$cA.t.i. Arché s.c.r.l. 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In 2002, one of anthropology's-and indeed today's-most distinctive writers, Michael Taussig, visited Benjamin's grave in Port Bou. The result is "Walter Benjamin's Grave," a moving essay about the cemetery, eyewitness accounts of Benjamin's border travails, and the circumstances of his demise. It is the most recent of eight revelatory essays collected in this volume of the same name. "Looking over these essays written over the past decade," writes Taussig, "I think what they share is a love of muted and defective storytelling as a form of analysis. Strange love indeed; love of the wound, love of the last gasp." Although thematically these essays run the gamut-covering the monument and graveyard at Port Bou, discussions of peasant poetry in Colombia, a pact with the devil, the peculiarities of a shaman's body, transgression, the disappearance of the sea, New York City cops, and the relationship between flowers and violence-each shares Taussig's highly individual brand of storytelling, one that depends on a deep appreciation of objects and things as a way to retrieve even deeper philosophical and anthropological meanings. Whether he finds himself in Australia, Colombia, Manhattan, or Spain, in the midst of a book or a beach, whether talking to friends or staring at a monument, Taussig makes clear through these marvelous essays that materialist knowledge offers a crucial alternative to the increasingly abstract, globalized, homogenized, and digitized world we inhabit. Pursuing an adventure that is part ethnography, part autobiography, and part cultural criticism refracted through the object that is Walter Benjamin's grave, Taussig, with this collection, provides his own literary memorial to the twentieth century's greatest cultural critic. 606 $aAnthropology$xFieldwork 615 0$aAnthropology$xFieldwork. 676 $a301.072/3 700 $aTaussig$b Michael T$0101224 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910964659403321 996 $aWalter Benjamin's grave$94356620 997 $aUNINA