LEADER 03329nam 2200721Ia 450 001 9910964532103321 005 20200520144314.0 010 $a9780791480489 010 $a0791480488 010 $a9781429472098 010 $a142947209X 035 $a(CKB)1000000000474459 035 $a(OCoLC)138084720 035 $a(CaPaEBR)ebrary10575912 035 $a(SSID)ssj0000258856 035 $a(PQKBManifestationID)11244435 035 $a(PQKBTitleCode)TC0000258856 035 $a(PQKBWorkID)10257455 035 $a(PQKB)10972385 035 $a(MdBmJHUP)muse6508 035 $a(Au-PeEL)EBL3407486 035 $a(CaPaEBR)ebr10575912 035 $a(OCoLC)923405732 035 $a(DE-B1597)684126 035 $a(DE-B1597)9780791480489 035 $a(MiAaPQ)EBC3407486 035 $a(Perlego)2673486 035 $a(EXLCZ)991000000000474459 100 $a20060420d2007 ub 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aThis is a picture and not the world $emovies and a post-9/11 America /$fJoseph Natoli 205 $a1st ed. 210 $aAlbany $cState University of New York Press$dc2007 215 $a1 online resource (293 p.) 225 1 $aThe SUNY series in postmodern culture 300 $aBibliographic Level Mode of Issuance: Monograph 311 08$a9780791470282 311 08$a0791470288 311 08$a9780791470275 311 08$a079147027X 320 $aIncludes bibliographical references and index. 327 $tFront Matter -- $tContents -- $tBehind the Scenes -- $tIntroduction -- $tOuttake -- $tFuturescape -- $tFrontierscape -- $tNoirscape -- $tSneak Preview -- $tDocumentary -- $tShortscape -- $tTrailer -- $tThis Genre Does Not Exist -- $tFearscape/Thrillscape/Nightscape -- $tAmerican Cool -- $tEpi-Blog -- $tIndex of Film Titles 330 $aIn This Is a Picture and Not the World, Joseph Natoli employs the lingua franca of film itself?screenplay dialogue?as well as the more recent form of the political blog to present a hyperreal account of popular film as both a creator and a reflector of our post-9/11 mass psyche. Drawing on both classic and contemporary film examples, the book also offers a quasihistory of film genres, including science fiction, the western, film noir, and screwball comedy, emphasizing how these genres have been shaken up, recontextualized, recombined, turned self-reflexive, and parodied over the past couple of decades. Taken together, these satirical parodies of screenplays and blogs reveal and perform how our very gaze has shifted from modern to postmodern, from a direct view of the world to a filtered one. 410 0$aSUNY series in postmodern culture. 606 $aMotion pictures$zUnited States 606 $aMotion pictures$xSocial aspects$zUnited States 606 $aMotion pictures$xPolitical aspects$zUnited States 615 0$aMotion pictures 615 0$aMotion pictures$xSocial aspects 615 0$aMotion pictures$xPolitical aspects 676 $a791.430973/09051 700 $aNatoli$b Joseph P.$f1943-$0265641 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910964532103321 996 $aThis is a picture and not the world$94368895 997 $aUNINA