LEADER 04079nam 2200817 a 450 001 9910964338003321 005 20240516162549.0 010 $a9786613592996 010 $a9781280497766 010 $a1280497769 010 $a9780803237995 010 $a0803237995 035 $a(CKB)2670000000180962 035 $a(EBL)915046 035 $a(OCoLC)793511410 035 $a(SSID)ssj0000615080 035 $a(PQKBManifestationID)11360160 035 $a(PQKBTitleCode)TC0000615080 035 $a(PQKBWorkID)10618563 035 $a(PQKB)10730862 035 $a(MiAaPQ)EBC915046 035 $a(OCoLC)809317580 035 $a(MdBmJHUP)muse3753 035 $a(Au-PeEL)EBL915046 035 $a(CaPaEBR)ebr10559284 035 $a(CaONFJC)MIL359299 035 $a(Perlego)4518995 035 $a(EXLCZ)992670000000180962 100 $a20110517d2011 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aTextual & visual selves $ephotography, film, and comic art in French autobiography /$fedited by Natalie Edwards, Amy L. Hubbell, and Ann Miller 205 $a1st ed. 210 $aLincoln [Neb.] $cUniversity of Nebraska Press$dc2011 215 $a1 online resource (286 p.) 300 $aDescription based upon print version of record. 311 08$a9780803236318 311 08$a080323631X 320 $aIncludes bibliographical references and index. 327 $aCover; Title Page; Copyright Page; Contents; Illustrations; Acknowledgments; Introduction: Textual and Visual Selves; 1. Beyond Autobiography; 2. Chronicles of Intimacy: Photography in Autobiographical Projects; 3. The Absent Body: Photography and Autobiography in He?le?ne Cixous's Photos de racines and Annie Ernaux andMarc Marie's L'Usage de la photo; 4. The Photobiographical Today: Signs of an Identity Crisis?; 5. Reclaiming the Void: The Cinematographic Aesthetic of Marguerite Duras's Autobiographical Novels 327 $a6. Illustration Revisited: Phototextual Exchange and Resistance in Sophie Calle's Suite ve?nitienne7. Viewing the Past through a "Nostalgeric" Len s: Pied-Noir Photodocumentaries; 8. Georges Perec, Memory, and Photography; 9. The Self-Portrait in French Cinema: Reflections on Theory and on Agne?s Varda'sLes Glaneurs et la glaneuse; 10. Autobiography in Bande Dessine?e; Contributors; Index 330 $aAutobiography in France has taken a decidedly visual turn in recent years: photographs, shown or withheld, become evidence of what was, might have been, or cannot be said; photographers, filmmakers, and cartoonists undertake projects that explore issues of identity. Textual and Visual Selves investigates, from a variety of theoretical perspectives, the ways in which the textual and the visual combine in certain French works to reconfigure ideas-and images-of self-representation.Surprisingly, what these accounts reveal is that photography or film does not necessarily serve to shore up the refer 517 1 $aTextual and visual selves 606 $aFrench prose literature$xHistory and criticism 606 $aAuthors, French$xBiography$xHistory and criticism 606 $aArt in literature 606 $aAutobiography$xAuthorship 606 $aVisual perception in literature 606 $aLiterature and photography$zFrance 606 $aSelf in literature 615 0$aFrench prose literature$xHistory and criticism. 615 0$aAuthors, French$xBiography$xHistory and criticism. 615 0$aArt in literature. 615 0$aAutobiography$xAuthorship. 615 0$aVisual perception in literature. 615 0$aLiterature and photography 615 0$aSelf in literature. 676 $a840.9/35 701 $aEdwards$b Natalie$01093091 701 $aHubbell$b Amy L$01595329 701 $aMiller$b Ann$f1949 Sept. 1-$01813719 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910964338003321 996 $aTextual & visual selves$94367117 997 $aUNINA