LEADER 02966oam 2200697I 450 001 9910964315103321 005 20260204023135.0 010 $a1-135-14676-4 010 $a1-135-14677-2 010 $a1-282-57005-6 010 $a9786612570056 010 $a0-203-85595-7 024 7 $a10.4324/9780203855959 035 $a(CKB)2670000000009325 035 $a(EBL)484753 035 $a(OCoLC)609856091 035 $a(SSID)ssj0000362447 035 $a(PQKBManifestationID)12137757 035 $a(PQKBTitleCode)TC0000362447 035 $a(PQKBWorkID)10381403 035 $a(PQKB)11684636 035 $a(MiAaPQ)EBC484753 035 $a(Au-PeEL)EBL484753 035 $a(CaPaEBR)ebr10371527 035 $a(CaONFJC)MIL257005 035 $a(OCoLC)609884031 035 $a(FINmELB)ELB155876 035 $a(EXLCZ)992670000000009325 100 $a20180706d2010 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aLeisure /$fTony Blackshaw 205 $a1st ed. 210 $aMilton Park, Abingdon, Oxon, [England] ;$aNew York $cRoutledge$dc2010 210 1$aLondon ;$aNew York :$cRoutledge,$d2010. 215 $a1 online resource (192 p.) 225 1 $aKey Ideas ;$vv.v. 8 300 $aDescription based upon print version of record. 311 08$a0-415-43027-5 311 08$a0-415-43026-7 320 $aIncludes bibliographical references. 327 $aBOOK COVER; TITLE; COPYRIGHT; CONTENTS; ACKNOWLEDGEMENTS; INTRODUCTION; Part I FOUNDATIONS; 1 THE IDEA OF LEISURE; 2 THE USES OF LEISURE: THREE PERSPECTIVES; Part II LEISURE IN HISTORICAL AND SOCIAL THOUGHT; 3 THE ANTECEDENTS OF MODERN LEISURE; 4 ANALYSING LEISURE AS A SOCIAL PHENOMENON; 5 LEISURE IN THE POSTMODERN IMAGINATION; Part III TOWARDS A THEORY OF LIQUID LEISURE; INTRODUCTION; 6 LEISURE AND CONSUMPTION: MCDONALDIZATION OR IKEAIZATION?; 7 THE AMBIVALENCE OF LEISURE; CONCLUSIONS; REFERENCES; INDEX 330 $aNo single introductory book has until now captured the range of thought appropriate for scrutinizing the idea of leisure. Beginning with a discussion of expressions in classical thought, etymological definitions and key leisure studies concepts, Blackshaw suggests that the idea abounds with ambivalence, which is unlikely ever to be resolved. After analyzing the rise and fall of modern leisure patterns, the emphasis shifts from the historical to the sociological and the author identifies and critically discusses the key modernist and postmodernist perspectives. Drawing on the i 410 0$aKey Ideas 606 $aLeisure 606 $aRecreation 615 0$aLeisure. 615 0$aRecreation. 676 $a306.4812 676 $a790.1 700 $aBlackshaw$b Tony$f1960-$0886558 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910964315103321 996 $aLeisure$94494140 997 $aUNINA