LEADER 00982nam0-22003611i-450- 001 990007970720403321 005 20080319160352.0 010 $a88-207-3074-X 035 $a000797072 035 $aFED01000797072 035 $a(Aleph)000797072FED01 035 $a000797072 100 $a20041210d2000----km-y0itay50------ba 101 0 $aita 102 $aIT 105 $aa-------001yy 200 1 $a<>case management comunitario$fJerome Guay$gpresentazione di Lia Sanicola 210 $aNapoli$cLiguori$d2000 215 $aXII, 225 p.$cill.$d21 cm 225 1 $aServizio sociale$v13 225 1 $aFormazione 610 0 $aPolitica sociale 610 0 $aAssistenza sociale 676 $a361.32 700 1$aGuay,$bJerome$0451648 702 1$aSanicola,$bLia 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990007970720403321 952 $aP.1 PS 348$fFLFBC 959 $aFLFBC 996 $aCase management comunitario$9157009 997 $aUNINA LEADER 03560oam 2200577 450 001 9910484795103321 005 20230629234632.0 010 $a3-030-53872-9 024 7 $a10.1007/978-3-030-53872-9 035 $a(CKB)4100000011513428 035 $a(MiAaPQ)EBC6380954 035 $a(DE-He213)978-3-030-53872-9 035 $a(EXLCZ)994100000011513428 100 $a20210417d2021 uy 0 101 0 $aeng 135 $aurnn|008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aReligious revelation /$fJames Kellenberger 205 $a1st ed. 2021. 210 1$aCham, Switzerland :$cSpringer,$d[2021] 210 4$d©2021 215 $a1 online resource (X, 88 p.) 225 1 $aPalgrave frontiers in philosophy of religion 311 $a3-030-53871-0 320 $aIncludes bibliographical references and index. 327 $aChap. 1 Introduction -- Chap 2 Revelation in Judaism -- Chap 3 Revelation in Christianity -- Chap 4 Revelation in Islam -- Chap 5 Revelation in Other Traditions -- Chap 6 Elaborations of Revelation -- Chap 7 Oracles, Dreams, and Other Revelatory Experiences -- Chap 8 Theologians on Revelation -- Chap 9 Views of Revelation -- Chap 10 Faith and Revelation -- Chap 11 Pervasive Revelation -- Bibliography -- Index. 330 $aThis book addresses several dimensions of religious revelation. These include its occurrence in various religious traditions, its different forms, its elaborations, how it has been understood by Western theologians, and differing views of revelation?s ontological status. It has been remarked that revelation is most at home in theistic traditions, and this book gives each of the three Abrahamic traditions ? Judaism, Christianity, and Islam ? its own chapter. Revelation, however, is not limited to theistic traditions; forms found in Buddhism and nondevotional (nontheistic) Hinduism are also explored. In the book?s final chapter a particularly significant form of religious revelation is identified and examined: pervasive revelation. The theistic manifestation of this form of revelation, pervasive in the sense that it may occurs in all the domains or dimensions of human existence, is shown to be richly represented in the Psalms, where God?s presence may be found in the heavens, in the growing of grass, and in one?s daily going out and coming in. Pervasive revelation of religious reality is also shown to be present in the Buddhist tradition. James Kellenberger is Emeritus Professor of Philosophy at California State University, Northridge, USA. His previous books include Kierkegaard and Nietzsche, Dying to Self and Detachment, and, most recently, Religion; Pacifism, and Nonviolence and The Presence of God and the Presence of Persons. 410 0$aPalgrave frontiers in philosophy of religion. 606 $aRevelation$xChristianity 606 $aRevelation$xHinduism 606 $aRevelation$xBuddhism 606 $aRevelation$xIslam 606 $aRevelation$xJudaism 606 $aReligion$xPhilosophy 615 0$aRevelation$xChristianity. 615 0$aRevelation$xHinduism. 615 0$aRevelation$xBuddhism. 615 0$aRevelation$xIslam. 615 0$aRevelation$xJudaism. 615 0$aReligion$xPhilosophy. 676 $a231.74 700 $aKellenberger$b James$0553833 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bUtOrBLW 906 $aBOOK 912 $a9910484795103321 996 $aReligious revelation$92849411 997 $aUNINA LEADER 03618nam 2200589Ia 450 001 9910963923803321 005 20251117003437.0 010 $a0-8214-4137-X 035 $a(CKB)1000000000712788 035 $a(OCoLC)70734813 035 $a(CaPaEBR)ebrary10091943 035 $a(SSID)ssj0000432155 035 $a(PQKBManifestationID)11301750 035 $a(PQKBTitleCode)TC0000432155 035 $a(PQKBWorkID)10477753 035 $a(PQKB)10346869 035 $a(MiAaPQ)EBC3026836 035 $a(Au-PeEL)EBL3026836 035 $a(CaPaEBR)ebr10091943 035 $a(BIP)35538425 035 $a(BIP)10291936 035 $a(EXLCZ)991000000000712788 100 $a20040506d2004 ub 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aPictorial Victorians $ethe inscription of values in word and image /$fJulia Thomas 205 $a1st ed. 210 $aAthens $cOhio University Press$dc2004 215 $a1 online resource (225 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 08$a0-8214-1591-3 320 $aIncludes bibliographical references (p. [185]-197) and index. 327 $aWar and peace: word and image in mid-Victorian culture -- Picturing slavery: Uncle Tom's cabin and its early illustrations -- Pictures, poems, politics: illustrating Tennyson -- Crinolineomania: Punch's female malady -- Nation and narration: the Englishness of Victorian narrative painting -- Tale of two stories: Joseph Noel Paton's In memoriam -- Telling tales: adultery and maternity in past and present. 330 $aThe Victorians were image obsessed. The middle decades of the nineteenth century saw an unprecedented growth in the picture industry. Technological advances enabled the Victorians to adorn with images the pages of their books and the walls of their homes. But this was not a wholly visual culture. Pictorial Victorians focuses on two of the most popular mid-nineteenth-century genres-illustration and narrative painting-that blurred the line between the visual and textual. Illustration negotiated text and image on the printed page, while narrative painting juxtaposed the two media in its formulation of pictorial stories. Author Julia Thomas reassesses mid-nineteenth-century values in the light of this interplay. The dialogue between word and image generates meanings that are intimately related to the Victorians' image of themselves. Illustrations in Victorian publications and the narrative scenes that lined the walls of the Royal Academy reveal the Victorians' ideas about the world in which they lived and their notions of gender, class, and race. Pictorial Victorians surveys a range of material, from representations of the crinoline, to the illustrations that accompanied Harriet Beecher Stowe's novel Uncle Tom's Cabin and Tennyson's poetry, to paintings of adultery. 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