LEADER 04437nam 2200637Ia 450 001 9910963865503321 005 20251116152206.0 010 $a0-87462-961-6 010 $a1-4237-3348-7 035 $a(CKB)1000000000033610 035 $a(OCoLC)191931612 035 $a(CaPaEBR)ebrary10089724 035 $a(SSID)ssj0000207039 035 $a(PQKBManifestationID)11189088 035 $a(PQKBTitleCode)TC0000207039 035 $a(PQKBWorkID)10235475 035 $a(PQKB)10033914 035 $a(MiAaPQ)EBC3017120 035 $a(Au-PeEL)EBL3017120 035 $a(CaPaEBR)ebr10089724 035 $a(OCoLC)923651270 035 $a(BIP)33453840 035 $a(BIP)11649895 035 $a(EXLCZ)991000000000033610 100 $a20050829d2005 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aMusic and philosophy /$fGabriel Marcel ; translated by Stephen Maddux & Robert E. Wood ; with an introduction by Robert E. Wood 205 $a1st ed. 210 $aMilwaukee, Wis. $cMarquette University Press$dc2005 215 $a1 online resource (147 p.) 225 1 $aMarquette studies in philosophy ;$vno. 42 300 $aEssays on music and its relation to his philosophy written by Gabriel Marcel in French from various French journals. 311 08$a0-87462-665-X 320 $aIncludes bibliographical references and index. 327 $aMusic in my life and work (1959) -- The musical idea in Cesar Franck (1920) -- Bergson and music (1925) -- Music understood and music experienced (1927) -- Music and the reign of the spirit (1940) -- Music according to St. Augustine (1943) -- Response to the inquiry into "musical images" (1945) -- Music and the marvelous (1948) -- Meditation on music (1952) -- The irruption of melody (1953) -- Humanism and music (1954). 330 $aMusic played a central role in the thought of existentialist philosopher Gabriel Marcel (1889-1973). One of the most tantalizing claims he made was in a set of conversations with Paul Ricoeur. Employing a geographic metaphor, he claimed that philosophy was the continent of his work while his plays formed the off-shore islands; but what was deepest was music as the water that conjoins the two. One who wishes to understand how he thought of music will find that his philosophical writings contain only a few, quasi-aphoristic, though significantly penetrating things about the nature of music and its relation to his thought. Disappointingly, neither his short An Essay in Autobiography of 1947 nor his larger autobiography of 1971, Awakenings, adds much to that beyond a few remarks. But the latter work makes reference to an article, La musique dans mon vie et mon oeuvre, a lecture he delivered in Vienna in 1959, that turned out to be a significantly richer source. And if one turns to his bibliography, one discovers that, as a music critic, Marcel published over 100 items on music--including Musique dans mon vie None of them are available in English. Those of greater length and philosophical interest were gathered together, along with several shorter representative pieces, in the work entitled L'esthetique musicale de Gabriel Marcel that appeared in the Presence de Gabriel Marcel series. In order to enrich and deepen the appreciation of Marcel's thought in the English-speaking world by following up his understanding of the central role of music in his thought, but also to underscore the central role of music in his thought, but also to underscore the central importance of the aesthetic inhuman experience, we have selected the main articles that appeared in that work for translation here. Marcel complained that (as of 1959) commentators had not paid significant attention to the close connection between music and philosophy. The present text should remedy that. 410 0$aMarquette studies in philosophy ;$v#42. 606 $aMusic$xPhilosophy and aesthetics 606 $aMusical analysis 615 0$aMusic$xPhilosophy and aesthetics. 615 0$aMusical analysis. 676 $a781/.1 700 $aMarcel$b Gabriel$f1889-1973.$0160060 701 $aMaddux$b J. Stephen$01866654 701 $aWood$b Robert E.$f1934-$01857664 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910963865503321 996 $aMusic and philosophy$94474069 997 $aUNINA