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100   $a20140929d2010      uy         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aKant's concept of genius $eits origin and function in the third 'critique' /$fPaul W. Bruno
205   $a1st ed.
210  1$aLondon ;$aNew York :$cContinuum,$d2010.
215   $a1 online resource (173 p.)
225 1 $aContinuum studies in philosophy
300   $aDescription based upon print version of record.
311 08$a1-4411-3254-6 
311 08$a1-4411-3911-7 
320   $aIncludes bibliographical references (pages [154]-157) and index.
327   $aIntroduction -- Origins of genius -- Aspects of the third critique -- Nature -- Genius -- Conclusion.
330 8 $aWhile many studies have chronicled the Romantic legacy of artistic genius, this book uncovers the roots of the concept of genius in Kant's third Critique, alongside the development of his understanding of nature. Paul Bruno addresses a genuine gap in the existing scholarship by exploring the origins of Kant's thought on aesthetic judgment and particularly the artist. The development of the word 'genius' and its intimate association with the artist played itself out in a rich cultural context, a context that is inescapably significant in Western thought. Bruno shows how in many ways we are still interrogating the ways in which a nature governed by physical laws can be reconciled with a spirit of human creativity and freedom. This book leads us to a better understanding of the centrality of understanding the modern artistic enterprise, characterized as it is by creativity, for modern conceptions of the self. 
410  0$aContinuum studies in philosophy.
606   $aGenius
606   $2Philosophy: aesthetics
615  0$aGenius.
676   $a193
686   $a5,1$2ssgn
686   $aCF 5015$2rvk
686   $aCF 5017$2rvk
700   $aBruno$b Paul W.$01797703
801  0$bUtOrBLW
801  1$bUtOrBLW
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906   $aBOOK
912   $a9910963791103321
996   $aKant's concept of genius$94340125
997   $aUNINA