LEADER 05200nam 22006615 450 001 9910963781303321 005 20220823231104.0 010 $a9780226656427 010 $a022665642X 024 7 $a10.7208/9780226656427 035 $a(CKB)4100000009068630 035 $a(MiAaPQ)EBC5850234 035 $a(StDuBDS)EDZ0002220308 035 $a(DE-B1597)545037 035 $a(DE-B1597)9780226656427 035 $a(OCoLC)1120694391 035 $a(Perlego)1851726 035 $a(EXLCZ)994100000009068630 100 $a20200229h20192019 fy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe Voice as Something More $eEssays toward Materiality /$fedited by Martha Feldman and Judith T. Zeitlin ; with an afterword by Mladen Dolar 210 1$aChicago :$cUniversity of Chicago Press,$d2019 210 4$dİ2019 215 $a1 online resource (404 pages) $cillustrations 225 0 $aNew Material Histories of Music 300 $aPapers of the international conference "A Voice as Something More", held at the University of Chicago in November 2015. 300 $aPreviously issued in print: 2019. 311 08$a9780226656397 311 08$a022665639X 311 08$a9780226647173 311 08$a022664717X 320 $aIncludes bibliographical references and index. 327 $tFrontmatter --$tContents --$tPreface --$tIllustrations --$tMusical Examples (Print) --$tWebsite Examples (Audiovisual) --$tIntroduction --$tThe Clamor of Voices /$rFeldman, Martha / Zeitlin, Judith T. --$tPart I: Sound-Producing Voice --$t1. Speech and/in Song /$rRings, Steven --$t2. From the Natural to the Instrumental: Chinese Theories of the Sounding Voice before the Modern Era /$rZeitlin, Judith T. --$tPart II: Limit Cases --$t3. Voice, Music, Modernism: The Case of Luigi Nono and Karlheinz Stockhausen /$rPierson, Marcelle --$t4. Screamlines: On the Anatomy and Geology of Radio /$rVerma, Neil --$tPart III: Vocal Owners and Borrowed Voices --$t5. It's All by Someone Else /$rPolito, Robert --$t6. The Artist's Impression: Ethel Waters as Mimic /$rStras, Laurie --$t7. "I Am an Essentialist": Against the Voice Itself /$rDavies, James Q. --$tPart IV: Myth, Wound, and Gap --$t8. Is the Voice a Myth? A Rereading of Ovid /$rButler, Shane --$t9. Voice Gap Crack Break /$rFeldman, Martha --$t10. The Gesamtkunstwerk and Its Discontents: The Wounded Voice in (and around) Alexander von Zemlinsky's The Dwarf /$rLevin, David J. --$t11. There Is No Such Thing as the Composer's Voice /$rBrodsky, Seth --$tPart V: Interlude: The Gendered Voice --$t12. Vowels/Consonants: The Legend of a "Gendered" (Sexual) Difference Told by Cinema /$rChion, Michel / Paul, Zakir --$tPart VI: Technology, Difference, and the Uncanny --$t13. The Prosthetic Voice in Ancient Greece /$rNooter, Sarah --$t14. The Duppy in the Machine: Voice and Technology in Jamaican Popular Music /$rJones, Andrew F. --$t15. The Actor's Absent Voice: Silent Cinema and the Archives of Kabuki in Prewar Japan /$rZwicker, Jonathan --$t16. A Voice That Is Not Mine: Terror and the Mythology of the Technological Voice /$rGunning, Tom --$tAfterword --$tVoices That Matter /$rDolar, Mladen --$tContributors --$tIndex 330 $aIn the contemporary world, voices are caught up in fundamentally different realms of discourse, practice, and culture: between sounding and nonsounding, material and nonmaterial, literal and metaphorical. In The Voice as Something More, Martha Feldman and Judith T. Zeitlin tackle these paradoxes with a bold and rigorous collection of essays that look at voice as both object of desire and material object. Using Mladen Dolar's influential A Voice and Nothing More as a reference point, The Voice as Something More reorients Dolar's psychoanalytic analysis around the material dimensions of voices-their physicality and timbre, the fleshiness of their mechanisms, the veils that hide them, and the devices that enhance and distort them. Throughout, the essays put the body back in voice. Ending with a new essay by Dolar that offers reflections on these vocal aesthetics and paradoxes, this authoritative, multidisciplinary collection, ranging from Europe and the Americas to East Asia, from classics and music to film and literature, will serve as an essential entry point for scholars and students who are thinking toward materiality. 410 0$aNew material histories of music. 410 0$aChicago scholarship online. 606 $aSinging 606 $aVoice (Philosophy) 606 $aVoice 606 $aMusic$xPhilosophy and aesthetics 615 0$aSinging. 615 0$aVoice (Philosophy) 615 0$aVoice. 615 0$aMusic$xPhilosophy and aesthetics. 676 $a783 701 $aDolar$b Mladen$0610211 702 $aFeldman$b Martha$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aZeitlin$b Judith T.$f1958-$4edt$4http://id.loc.gov/vocabulary/relators/edt 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910963781303321 996 $aThe Voice as Something More$94363384 997 $aUNINA