LEADER 05408nam 2200865Ia 450 001 9910963606803321 005 20241106140247.0 010 $a9781134781096 010 $a1134781091 010 $a9781899044252 010 $a1899044256 010 $a9781134781102 010 $a1134781105 010 $a9781280336133 010 $a1280336137 010 $a9780203196830 010 $a020319683X 010 $a9780203286142 010 $a0203286146 024 7 $a10.4324/9780203196830 035 $a(CKB)111056485526078 035 $a(EBL)168693 035 $a(OCoLC)144618807 035 $a(SSID)ssj0000071087 035 $a(PQKBManifestationID)11109991 035 $a(PQKBTitleCode)TC0000071087 035 $a(PQKBWorkID)10071385 035 $a(PQKB)11643469 035 $a(Au-PeEL)EBL168693 035 $a(CaPaEBR)ebr10057632 035 $a(CaONFJC)MIL33613 035 $a(OCoLC)50421824 035 $a(OCoLC)697714621 035 $a(OCoLC-P)697714621 035 $a(FlBoTFG)9780203196830 035 $a(PPN)187291985 035 $a(FR-PaCSA)41000875 035 $a(MiAaPQ)EBC168693 035 $a(FRCYB41000875)41000875 035 $a(EXLCZ)99111056485526078 100 $a19961113d1984 uy 0 101 0 $aeng 135 $aur|n||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aJohn Ruskin /$fedited by John Bradley 205 $a1st ed. 210 $aLondon ;$aNew York $cRoutledge$d1984 215 $a1 online resource (451 p.) 225 0 $aThe critical heritage 300 $aIncludes index. 311 08$a9780415867351 311 08$a0415867355 311 08$a9780415134712 311 08$a0415134714 327 $aBook Cover; Title; Contents; ACKNOWLEDGMENTS; A NOTE ON THE TEXT; INTRODUCTION; CHRONOLOGICAL TABLE; THE REVEREND JOHN EAGLES, from an unsigned review, 'Blackwood's Magazine', October 1843; GEORGE DARLEY, two unsigned reviews, 'Athenaeum', February 1844; WALT WHITMAN, unsigned review, 'Brooklyn Eagle', July 1847; From an unsigned review, 'Foreign Quarterly Review', July 1846; DR JOHN BROWN, from an unsigned review, 'North British Review', February 1847; Unsigned review, 'Examiner', June 1849; SAMUEL FERGUSON, from an unsigned review, 'Dublin University Magazine', July 1849 327 $aJ.M.CAPES, unsigned review, 'Rambler', July 1849 Unsigned review, 'Art-Journal', November 1851; From an unsigned review, 'Fraser's Magazine', April 1854; Three unsigned reviews, 'The Times', September, October, and November 1853; From an unsigned review, 'The Economist', March 1856; GEORGE ELIOT, from an unsigned review, 'Westminster Review', April 1856; ELIZABETH RIGBY, from an unsigned review, 'Quarterly Review', March 1856; WILLIAM MICHAEL ROSSETTI, unsigned review, 'Spectator', May 1856; From an unsigned review, 'Eclectic Review', August 1856 327 $aUnsigned editorial, 'Manchester Examiner and Times', July 1857 WILLIAM MOY THOMAS, unsigned review, 'Athenaeum', December 1857; From an unsigned article, 'Eclectic Magazine' (New York), January 1854; From an unsigned article, 'Fraser's Magazine', February 1854; HENRY FOTHERGILL CHORLEY, from an unsigned review, 'Edinburgh Review', April 1856; EDWARD BRUCE HAMLEY, unsigned satirical article, 'Blackwood's Magazine', July 1858; Unsigned review, 'Illustrated London News', September 1860; LOAMMI GOODENOW WARE, from an unsigned review, 'Christian Examiner' (Boston, Mass.), January 1861 327 $aUnsigned review, 'Saturday Review', November 1860 Unsigned review, 'Lloyd's Weekly Newspaper', November 1860; Unsigned review, 'Press', June 1862; Unsigned review, 'Westminster Review', October 1862; From an unsigned review, 'London Review', October 1862; ANTHONY TROLLOPE, signed review, 'Fortnightly Review', July 1865; JOHN DE CAPEL WISE, unsigned review, 'Westminster Review', October 1865; Unsigned review, 'Saturday Review', June 1866; ANTHONY TROLLOPE, signed review, 'Fortnightly Review', June 1866; From an unsigned review, 'Westminster Review', October 1869 327 $aWILLIAM MICHAEL ROSSETTI, signed essay, Ruskin as a Writer on Art, 'Broadway', March 1869 JUSTIN MCCARTHY, from 'Portraits of the Sixties', 1903; Unsigned review, 'Saturday Review', July 1870; STOPFORD BROOKE, signed essay, Ruskin's Lectures on Art, 'Macmillan's Magazine', October 1870; CHARLES EASTLAKE, from 'A History of the Gothic Revival', 1872; J.J.JARVES, signed article, John Ruskin, the Art-Seer, 'Art-Journal', January 1874; D.C.THOMSON, from a signed article, Ruskin as an Art Critic, 'Art-Journal', November 1879 327 $aALEXANDER WEDDERBURN, from a signed review by an Oxford Pupil, The Public Letters of John Ruskin, D.C.L., 'Contemporary Review', July 1880 330 8 $aThe Critical Heritage gathers together a large body of critical sources on major figures in literrature. Each volume presents contemporary responses to a writer's work, enabling student and researcher to read the material themselves. 410 0$aCritical heritage series. 606 $aEnglish literature$y19th century 615 0$aEnglish literature 676 $a828.809 701 $aBradley$b John Lewis$085842 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910963606803321 996 $aJohn Ruskin$94336988 997 $aUNINA LEADER 03755nam 22007094a 450 001 9910969614403321 005 20200520144314.0 010 $a9786612426483 010 $a9781282426481 010 $a1282426486 010 $a9780226292144 010 $a0226292142 024 7 $a10.7208/9780226292144 035 $a(CKB)2550000000000048 035 $a(EBL)471866 035 $a(OCoLC)527702823 035 $a(SSID)ssj0000342679 035 $a(PQKBManifestationID)11258825 035 $a(PQKBTitleCode)TC0000342679 035 $a(PQKBWorkID)10287937 035 $a(PQKB)10752309 035 $a(StDuBDS)EDZ0000122511 035 $a(MiAaPQ)EBC471866 035 $a(DE-B1597)523913 035 $a(OCoLC)824156034 035 $a(DE-B1597)9780226292144 035 $a(Au-PeEL)EBL471866 035 $a(CaPaEBR)ebr10349989 035 $a(CaONFJC)MIL242648 035 $a(Perlego)1852109 035 $a(EXLCZ)992550000000000048 100 $a20060124d2006 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aScientific perspectivism /$fRonald N. Giere 205 $a1st ed. 210 $aChicago $cUniversity of Chicago Press$d2006 215 $a1 online resource (170 p.) 300 $aDescription based upon print version of record. 311 08$a9780226292137 311 08$a0226292134 311 08$a9780226292120 311 08$a0226292126 320 $aIncludes bibliographical references (p. [137]-146) and index. 327 $tFrontmatter -- $tCONTENTS -- $tList of Illustrations -- $tAcknowledgments -- $t1. SCIENTIFIC KNOWLEDGE -- $t2. COLOR VISION -- $t3. SCIENTIFIC OBSERVING -- $t4. SCIENTIFIC THEORIZING -- $t5. PERSPECTIVAL KNOWLEDGE AND DISTRIBUTED COGNITION -- $tNotes -- $tReferences -- $tIndex 330 $aMany people assume that the claims of scientists are objective truths. But historians, sociologists, and philosophers of science have long argued that scientific claims reflect the particular historical, cultural, and social context in which those claims were made. The nature of scientific knowledge is not absolute because it is influenced by the practice and perspective of human agents. Scientific Perspectivism argues that the acts of observing and theorizing are both perspectival, and this nature makes scientific knowledge contingent, as Thomas Kuhn theorized forty years ago. Using the example of color vision in humans to illustrate how his theory of "perspectivism" works, Ronald N. Giere argues that colors do not actually exist in objects; rather, color is the result of an interaction between aspects of the world and the human visual system. Giere extends this argument into a general interpretation of human perception and, more controversially, to scientific observation, conjecturing that the output of scientific instruments is perspectival. Furthermore, complex scientific principles-such as Maxwell's equations describing the behavior of both the electric and magnetic fields-make no claims about the world, but models based on those principles can be used to make claims about specific aspects of the world. Offering a solution to the most contentious debate in the philosophy of science over the past thirty years, Scientific Perspectivism will be of interest to anyone involved in the study of science. 606 $aScience$xPhilosophy 606 $aScience$xHistory 615 0$aScience$xPhilosophy. 615 0$aScience$xHistory. 676 $a501 700 $aGiere$b Ronald N$044453 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910969614403321 996 $aScientific perspectivism$94359597 997 $aUNINA