LEADER 01784nam 2200397 n 450 001 996393290703316 005 20200824121704.0 035 $a(CKB)4940000000113516 035 $a(EEBO)2240895170 035 $a(UnM)ocm99886539e 035 $a(UnM)99886539 035 $a(EXLCZ)994940000000113516 100 $a19971208d1691 uh 101 0 $aeng 135 $aurbn||||a|bb| 200 10$aBy the Lords-Justices and Council. A proclamation$b[electronic resource] $eCharles Porter, Tho: Coningesby. Whereas many idle and dissolute persons have of late deserted their habitations and are become tories, thieves and rapparees, committing most outragious robberies, burglaries and thefts, .. 210 $aDublin $cPrinted by Andrew Crook assignee of Benjamin Tooke, printer to the King and Queen at thier Majesties printing-house on Ormonde-Key$d[1691] 215 $a2 sheets ([2] leaves) 300 $aTitle from caption and opening words of text. 300 $aImprint from colophon. 300 $a"Given at the Council-Chamber in Dublin 18th. day of September, 1691.". 300 $aPardon to rapparees submitting themselves.--Steele. 300 $aSteele notation: Arms 193. late and 2) them, any. 300 $aReproduction of original in the British Library. 330 $aeebo-0018 606 $aThieves$zIreland$vEarly works to 1800 607 $aIreland$xHistory$y17th century$vEarly works to 1800 607 $aIreland$xHistory$yWar of 1689-1691$vEarly works to 1800 615 0$aThieves 701 $aConingsby$b Thomas Coningsby$cEarl,$f1656?-1729.$01001727 801 0$bCu-RivES 801 1$bCu-RivES 906 $aBOOK 912 $a996393290703316 996 $aBy the Lords-Justices and Council, a proclamation$92306987 997 $aUNISA LEADER 03867nam 2200757 a 450 001 9910963380603321 005 20251116215736.0 010 $a9786611731366 010 $a9781281731364 010 $a1281731366 010 $a9780300133165 010 $a0300133162 024 7 $a10.12987/9780300133165 035 $a(CKB)1000000000472118 035 $a(EBL)3419854 035 $a(OCoLC)923587845 035 $a(SSID)ssj0000155787 035 $a(PQKBManifestationID)11147273 035 $a(PQKBTitleCode)TC0000155787 035 $a(PQKBWorkID)10122154 035 $a(PQKB)10862531 035 $a(StDuBDS)EDZ0000165597 035 $a(MiAaPQ)EBC3419854 035 $a(DE-B1597)484837 035 $a(OCoLC)1013938231 035 $a(DE-B1597)9780300133165 035 $a(Au-PeEL)EBL3419854 035 $a(CaPaEBR)ebr10167903 035 $a(Perlego)1089278 035 $z(OCoLC)1013938231 035 $a(EXLCZ)991000000000472118 100 $a20050211d2005 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aFive operas and a symphony $eword and music in Russian culture /$fBoris Gasparov 205 $a1st ed. 210 $aNew Haven $cYale University Press$dc2005 215 $a1 online resource (293 p.) 225 1 $aRussian literature and thought 300 $aDescription based upon print version of record. 311 08$a9780300106503 311 08$a0300106505 320 $aIncludes bibliographical references (p. 219-254) and index. 327 $aSound and discourse : on Russian national musical style -- Farewell to the enchanted garden : Pushkin, Glinka's Ruslan and Ludmila, and Nicholas's Russia -- Eugene Onegin in the age of realism -- Khovanshchina : a musical drama, Russian-style (Wagner and Musorgsky) -- Lost in a symbolist city : multiple chronotypes in Chaikovsky's The queen of spades -- A testimony : Shostakovich's Fourth symphony and the end of Romantic narrative -- "Popolo di Pekino" : Musorgsky's Muscovy in early twentieth-century Europe -- "Prima la musica, poi le parole" : musical genealogy of a national anthem. 330 $aIn this eagerly anticipated book, Boris Gasparov gazes through the lens of music to find an unusual perspective on Russian cultural and literary history. He discusses six major works of Russian music from the nineteenth and twentieth centuries, showing the interplay of musical texts with their literary and historical sources within the ideological and cultural contexts of their times. Each musical work becomes a tableau representing a moment in Russian history, and together the works form a coherent story of ideological and aesthetic trends as they evolved in Russia from the time of Pushkin to the rise of totalitarianism in the 1930s.Gasparov discusses Glinka's Ruslan and Ludmilla (1842), Mussorgsky's Boris Godunov (1871) and Khovanshchina (1881), Tchaikovsky's Eugene Onegin (1878) and The Queen of Spades (1890), and Shostakovich's Fourth Symphony (1934). Offering new interpretations to enhance our understanding and appreciation of these important works, Gasparov also demonstrates how Russian music and cultural history illuminate one another. 410 0$aRussian literature and thought. 606 $aMusic$zRussia$xHistory and criticism 606 $aMusic$zSoviet Union$xHistory and criticism 606 $aOpera$zRussia 606 $aMusic and literature 615 0$aMusic$xHistory and criticism. 615 0$aMusic$xHistory and criticism. 615 0$aOpera 615 0$aMusic and literature. 676 $a780/.947 700 $aGasparov$b B$01114608 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910963380603321 996 $aFive operas and a symphony$94351297 997 $aUNINA