LEADER 01813nas 2200361 n 450 001 990008901910403321 005 20240229084542.0 011 $a0078-1746 035 $a000890191 035 $aFED01000890191 035 $a(Aleph)000890191FED01 035 $a000890191 091 $2CNR$aP 00149555 100 $a20161109b19661974km-y0itaa50------ba 101 0 $aeng 102 $aGB 110 $aauu-------- 200 1 $aAnnual report on research and technical work of the Ministry of Agriculture for Northern Ireland 207 1$a1966-1974 210 $aLondon$cH.M.S.O 440 0$1001000890190$12001$aAnnual report on research and technical work of the Department of Agriculture for Northern Ireland 530 0 $aAnnual report on research and technical work of the Ministry of Agriculture for Northern Ireland 712 02$aIrlanda del Nord$bMinistry of Agriculture 801 0$aIT$bACNP$c20090723 859 4 $uhttp://acnp.cib.unibo.it/cgi-ser/start/it/cnr/dc-p1.tcl?catno=80932&person=false&language=ITALIANO&libr=&libr_th=unina1$zBiblioteche che possiedono il periodico 901 $aSE 912 $a990008901910403321 958 $aBiblioteca Centralizzata. Facoltà di Agraria dell'Università Federico II di Napoli$b1974.$fFAGBC 959 $aFAGBC 996 $aAnnual report on research and technical work of the Ministry of Agriculture for Northern Ireland$9800776 997 $aUNINA AP1 8 $6866-01$aNA087 Biblioteca Centralizzata. Facoltà di Agraria dell'Università Federico II di Napoli$ev. Università, 100 Palazzo Reale, 80055 Portici (NA)$m081-2539322$m081-7760229$nit AP2 40$aacnp.cib.unibo.it$nACNP Italian Union Catalogue of Serials$uhttp://acnp.cib.unibo.it/cgi-ser/start/it/cnr/df-p.tcl?catno=80932&language=ITALIANO&libr=&person=&B=1&libr_th=unina&proposto=NO LEADER 04052nam 2200613 a 450 001 9910963324003321 005 20200520144314.0 010 $a0-8232-4198-X 010 $a0-8232-4620-5 010 $a0-8232-4197-1 035 $a(CKB)3170000000046039 035 $a(OCoLC)823654940 035 $a(CaPaEBR)ebrary10611583 035 $a(SSID)ssj0000602950 035 $a(PQKBManifestationID)11410632 035 $a(PQKBTitleCode)TC0000602950 035 $a(PQKBWorkID)10572002 035 $a(PQKB)11001386 035 $a(OCoLC)830022958 035 $a(MdBmJHUP)muse14123 035 $a(Au-PeEL)EBL3239767 035 $a(CaPaEBR)ebr10611583 035 $a(MiAaPQ)EBC3239767 035 $a(BIP)36763733 035 $a(EXLCZ)993170000000046039 100 $a20120808d2013 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 12$aA fury in the words $elove and embarrassment in Shakespeare's Venice /$fHarry Berger, Jr 205 $a1st ed. 210 $aNew York $cFordham University Press$d2013 215 $a1 online resource (239 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 08$a0-8232-4194-7 320 $aIncludes bibliographical references. 327 $aMercifixion in The merchant of Venice: the riches of embarrassment -- Introduction -- Negotiating the bond -- Antonio's blues -- Curiositas: the two Sallies -- Negative usury and the arts of embarrassment -- Negative usury: Portia's ring trick -- Portia the embarrasser -- The archery of embarrassment -- The first Jason -- A note on verse and prose in Act 1 -- Another Jason -- Portia cheating -- Portia's hair -- The siege of Belmont -- Covinous casketeers -- Moonlit maundering -- Coigns of vantage -- Standing for judgment -- Standing for sacrifice -- "Here is the money": Bassanio in the bond market -- Twilight in Belmont: Portia's ring cycle -- Death in Venice -- Three's company: contaminated intimacy in Othello. Prehistory in Othello -- Othello's embarrassment in 1.2 and 1.3 -- The proclamation scenes: Act 2 scenes 2 and 3 -- Desdemona on Cyprus: Act 2 scene 1 -- Dark triangles in 3.3 -- Desdemona's greedy ear -- Impertinent trifling: Desdemona's handkerchief -- The Emilian trail -- Iago's soliloquies -- Othello's endgame -- The fury in her words. 330 $aShakespeare's two Venetian plays are dominated by the discourse of embarrassment. The Merchant of Venice is a comedy of embarrassment, and Othello is a tragedy of embarrassment. This nomenclature is admittedly anachronistic, because the term "embarrassment" didn't enter the language until the late seventeenth century. To embarrass is to make someone feel awkward or uncomfortable, humiliated or ashamed. Such feelings may respond to specific acts of criticism, blame, or accusation. "To embarrass" is literally to "embar" to put up a barrier or deny access. The bar of embarrassment may be raised by unpleasant experiences. It may also be raised when people are denied access to things, persons, and states of being they desire or to which they feel entitled. The Venetian plays represent embarrassment not merely as a condition but as a weapon and as the wound the weapon inflicts. Characters in The Merchant of Venice and Othello devote their energies to embarrassing one another. But even when the weapon is sheathed, it makes its presence felt, as when Desdemona means to praise Othello and express her love for him: "I saw Othello's visage in his mind" (1.3.253). This suggests, among other things, that she didn't see it in his face. 606 $aEmbarrassment in literature 606 $aLove in literature 615 0$aEmbarrassment in literature. 615 0$aLove in literature. 676 $a822.3/3 700 $aBerger$b Harry$0185160 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910963324003321 996 $aA fury in the words$94448731 997 $aUNINA 999 $p$63.11$u12/08/2017$5Eng