LEADER 05184nam 2200757 450 001 9910811679303321 005 20230807221324.0 010 $a0-8232-5684-7 010 $a0-8232-5686-3 024 7 $a10.1515/9780823256860 035 $a(CKB)3710000000454541 035 $a(EBL)2121287 035 $a(OCoLC)915134731 035 $a(SSID)ssj0001531416 035 $a(PQKBManifestationID)12650075 035 $a(PQKBTitleCode)TC0001531416 035 $a(PQKBWorkID)11463922 035 $a(PQKB)10419708 035 $a(MiAaPQ)EBC3430732 035 $a(MiAaPQ)EBC5046415 035 $a(DE-B1597)555329 035 $a(DE-B1597)9780823256860 035 $a(MdBmJHUP)muse58917 035 $a(MiAaPQ)EBC2121287 035 $a(Au-PeEL)EBL3430732 035 $a(CaPaEBR)ebr11083125 035 $a(OCoLC)900088843 035 $a(Au-PeEL)EBL2121287 035 $a(CaONFJC)MIL818207 035 $a(EXLCZ)993710000000454541 100 $a20150602d2015 uy| 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aTalking the walk & walking the talk $ea rhetoric of rhythm /$fMarc Shell 205 $aFirst edition. 210 1$aNew York :$cFordham University Press,$d2015. 215 $a1 online resource (222 p.) 225 1 $aVerbal arts: studies in poetics 300 $aIncludes index. 311 $a0-8232-5683-9 311 $a0-8232-5682-0 320 $aIncludes bibliographical references and index. 327 $aMachine generated contents note: -- CHAPTER ONE: STARTING OUT -- 1. Prologue & Preamble -- 2. Talking & Walking -- 3. Rhythm & Meter -- 4. Scansion & Breathing (Cęsura, Beat, Walking Poems) -- 5. Kinesiology & Prosody (Canine Walkies, Galloping Verse, Lame Metrics) -- 6. Writing & Dancing -- 7. Letting the Ducks Out -- CHAPTER TWO: WALKING VOICES -- 1. "And God went, 'Where are you'?" in the Bible's In The Beginning -- 2. The Walking Bass in Monteverdi's My Foot Slips Again [1624] -- 3. "I can Scarcely Move or Draw my Breath" in Purcell's King Arthur [1691] -- CHAPTER THREE: TRIPS OF THE TONGUE IN HAMLET [1600] -- 1. Crawl -- 2. Pause -- 3. Mobility -- 4. Claudication -- 5. Will he Nill he -- 6. Triplex -- CHAPTER FOUR: TALKING CURES -- 1. "Walking and Talking at the Same Time": Wordsworth's Dilation (Pedestrianism, Bumming, Hopping & Ambling) -- 2. "Slips of the Tongue": Freud's Hinking (Hysterical Narratives, Limping Iambics) -- CHAPTER FIVE: WALKIE TALKIES -- 1. Tin Man's "Can Can Can" in The Wizard of Oz [1939] -- 2. Foghorn Leghorn's "Walkie Talkie" in Walky Talky Hawky [1946] -- 3. Lina Lamont's "Pipes and Stems" in Singin' in the Rain [1952] -- 4. L.B. Jeffries' "Totter" in Rear Window [1954] -- CHAPTER SIX: MARCHING & HEILING IN THE GREAT DICTATOR [1940] -- 1. Powerful Crowds -- 2. Goose Steps -- 3. Macaronic Speeches -- 4. Anatine Quacks -- 5. Mind the Music -- CHAPTER SEVEN: SIGN LANGUAGES -- 1. Ma Bell's "Let your Fingers do the Walking" in The Yellow Pages [1962] -- 2. Dorothy Miles' Body-Sign Language in Gestures [1976] -- CHAPTER EIGHT: POSTAMBLE & EPILOGUE -- 1. Reduplication -- 2. Talking the Walk & Walking the Talk -- 3. The Finish Line -- 4. A Walking Solution -- BACK MATTER -- 1. Illustrations (List) -- 2. Abbreviations. 330 $a"This book argues that we should regard walking and talking in a single rhythmic vision. In doing so, it contributes to the theory of prosody, our understanding of respiration and looking, and, in sum, to the particular links, across the board, between the human characteristics of bipedal walking and meaningful talk. The author first introduces the philosophical, neurological, anthropological, and aesthetic aspects of the subject in historical perspective, then focuses on rhetoric and introduces a tension between the small and large issues of rhythm. He thereupon turns his attention to the roles of breathing in poetry--as a life-and-death matter, with attention to beats and walking poems. This opens onto technical concepts from the classical traditions of rhetoric and philology. Turning to the relationship between prosody and motion, he considers both animals and human beings as both ostensibly able-bodied creatures and presumptively disabled ones. Finally, he looks at dancing and writing as aspects of walking and talking, with special attention to motion in Arabic and Chinese calligraphy. The final chapters of the book provide a series of interrelated representative case studies"--$cProvided by publisher. 410 0$aVerbal arts--studies in poetics. 606 $aPoetics 606 $aRhythm in literature 606 $aWalking in literature 606 $aEnglish language$xVersification 615 0$aPoetics. 615 0$aRhythm in literature. 615 0$aWalking in literature. 615 0$aEnglish language$xVersification. 676 $a808.1 686 $aLIT014000$aLIT000000$2bisacsh 700 $aShell$b Marc$0125461 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910811679303321 996 $aTalking the walk & walking the talk$94097667 997 $aUNINA LEADER 04135nam 2200733Ia 450 001 9910963323003321 005 20200520144314.0 010 $a9786611892661 010 $a9781281892669 010 $a1281892661 010 $a9781846428586 010 $a1846428580 035 $a(CKB)1000000000702714 035 $a(EBL)412875 035 $a(OCoLC)437090060 035 $a(SSID)ssj0000164515 035 $a(PQKBManifestationID)11152099 035 $a(PQKBTitleCode)TC0000164515 035 $a(PQKBWorkID)10141448 035 $a(PQKB)10517592 035 $a(MiAaPQ)EBC412875 035 $a(Au-PeEL)EBL412875 035 $a(CaPaEBR)ebr10264104 035 $a(CaONFJC)MIL189266 035 $a(Perlego)951918 035 $a(EXLCZ)991000000000702714 100 $a20080416d2009 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aGood practice in the law and safeguarding adults $ecriminal justice and adult protection /$fedited by Jacki Pritchard 205 $a1st ed. 210 $aLondon ;$aPhiladelphia $cJessica Kingsley Publishers$d2009 215 $a1 online resource (259 p.) 225 1 $aGood practice in health, social care and criminal justice 300 $aDescription based upon print version of record. 311 08$a9781849856171 311 08$a1849856176 311 08$a9781843109372 311 08$a1843109379 320 $aIncludes bibliographical references and indexes. 327 $aFRONT COVER; Good practice in the Law and Safeguarding Adults; Criminal Justice and Adult Protection; CONTENTS; INTRODUCTION; 1 A Review of Relevant Legislation in Adult Protection; 2 Scottish Legislative Framework for Supporting and Protecting Adults; 3 How Police Investigate Crimes Against Vulnerable Adults; 4 Criminal Justice and Vulnerable Adults: Who Does What?; 5 Confidentiality and Information-Sharing; 6 The Vulnerable Adult and the Mental Capacity Act 2005; 7 Capacity and Financial Abuse 327 $a8 The Role of Advocacy and the Independent Mental Capacity Advocate (IMCA) in Adult Protection Work9 Being an IMCA: Experiences in Adult Protection Proceedings; 10 The Commission for Social Care Inspection's Legal Powers: What it Can and Cannot Do; 11 My Use of the Law in Protecting Vulnerable Adults: From Police Officer to Chief Executive of a Care Provider; 12 Reflections on Practice; (I) Is there an inevitable tension between the investigation of child abuse and adult abuse which is detrimental to both?; (II) A view from Wales: communication, mental health issues and assessing capacity 327 $a(III) Vulnerable adult abuse: The legal framework(IV) The safeguarding team interface with the law and the legal framework; (V) The lawyer and case conferences; (VI) Ten years of 'witness Support, Preparation And Profiling': The Investigations Support Unit, Liverpool City Council; (VII) Honour-based violence and forced marriage; List of Contributors; Subject Index; Author Index; BACK COVER 330 $aGood Practice in the Law and Safeguarding Adults provides an up-to-date summary of developments in the legislative framework and best practice relevant to the area of adult protection work. 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