LEADER 03935oam 2200661I 450 001 9910462764303321 005 20200520144314.0 010 $a0-203-14371-X 010 $a1-283-84268-8 010 $a1-136-50140-1 024 7 $a10.4324/9780203143711 035 $a(CKB)2670000000298996 035 $a(EBL)1075346 035 $a(OCoLC)821176328 035 $a(SSID)ssj0000826669 035 $a(PQKBManifestationID)11516196 035 $a(PQKBTitleCode)TC0000826669 035 $a(PQKBWorkID)10809144 035 $a(PQKB)11658854 035 $a(MiAaPQ)EBC1075346 035 $a(Au-PeEL)EBL1075346 035 $a(CaPaEBR)ebr10630949 035 $a(CaONFJC)MIL415518 035 $a(OCoLC)892039404 035 $a(EXLCZ)992670000000298996 100 $a20180706d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe screenplay business $emanaging creativity and script development in the film industry /$fPeter Bloore 210 1$aAbingdon, Oxon :$cRoutledge,$d2013. 215 $a1 online resource (369 p.) 300 $aDescription based upon print version of record. 311 $a0-415-61333-7 311 $a0-415-61332-9 320 $aIncludes bibliographical references and index. 327 $aThe Screenplay Business Managing creativity and script development in the film industry; Copyright; Contents; List of figures; List of tables; List of boxes; Preface; Acknowledgements; Introduction: a world of stories and money; Part I The Complex world of Film Development; 1 The bigger picture: how films are developed; 2 Show me the money: the business of film and the value chain; 3 A new analysis of types of film and film development funding; 4 The creative triangle: building development relationships; 5 The reality of development: power and influence in a dynamic system 327 $a6 The development executive and the script editorPart II Managing Creative People in Film Development: Control Versus Freedom; 7 Defining creativity in the movie business; 8 Who creative people are and how to motivate them: psychology and insight; 9 Managing creative people and film development; 10 The script meeting: listening and feeding back; 11 Strengthening the development team culture and building a Sustainable Creative Company; 12 Working with the Hollywood studio system: being independent in a world of prefabricated daydreams 327 $a13 The writer: surviving development and negotiating success14 Into the future: a creative way to develop better films; Appendix A: Sternberg's analysis of levels of creative contribution, as applied to the science fiction film genre; Appendix B: Examples of script reader report forms; Notes; Bibliography; Index 330 $aThe development of a film screenplay is a complex and collaborative process, beginning with an initial story and continuing through drafting and financing to the start of the shoot. And yet the best ways of understanding and managing this process have never been properly studied. The Screenplay Business is the first book to do exactly that, addressing such questions as:How do film scripts get written, and what are the tensions between creativity and business? How can the team of the writer, producer, director and development executive work together 606 $aMotion pictures$xProduction and direction 606 $aMotion picture authorship 606 $aMotion picture industry$xFinance 608 $aElectronic books. 615 0$aMotion pictures$xProduction and direction. 615 0$aMotion picture authorship. 615 0$aMotion picture industry$xFinance. 676 $a384/.8 700 $aBloore$b Peter.$0905248 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910462764303321 996 $aThe screenplay business$92024546 997 $aUNINA LEADER 01580nam 2200397Ia 450 001 996385400203316 005 20221108012108.0 035 $a(CKB)4940000000078389 035 $a(EEBO)2248564311 035 $a(OCoLC)12659291 035 $a(EXLCZ)994940000000078389 100 $a19851011d1641 uy | 101 0 $aeng 135 $aurbn||||a|bb| 200 10$aMoses and Aaron, Civil and ecclesiastical rites used by the ancient Hebrewes$b[electronic resource] $eobserved, and at large opened, for the clearing of many obscure texts thorowout [sic] the whole Scripture : which texts are now added in the end of the booke : herein likewise is shewed what customes the Hebrewes borrowed from heathen people ... / 205 $aThe sixth edition. 210 $aLondon $cPrinted by E.G., and are to be sold by John Williams ...$d1641 215 $a[9], 264 [i.e. 270], [10] p 300 $aAuthor's name appears after edition statement. 300 $aReproduction of original in Union Theological Seminary Library, New York. 300 $aMarginal notes. 300 $aIncludes indexes. 330 $aeebo-0160 606 $aJudaism$vWorks to 1900 606 $aJudaism$xCustoms and practices 615 0$aJudaism 615 0$aJudaism$xCustoms and practices. 700 $aGoodwin$b Thomas$f1586 or 7-1642.$01001367 801 0$bEAA 801 1$bEAA 801 2$bm/c 801 2$bWaOLN 906 $aBOOK 912 $a996385400203316 996 $aMoses and Aaron, Civil and ecclesiastical rites used by the ancient Hebrewes$92411478 997 $aUNISA LEADER 04994nam 2200553 a 450 001 9910963280903321 005 20230617041239.0 010 $a9781611210057 010 $a1611210054 035 $a(CKB)2550000000054468 035 $a(DLC)2009279748 035 $a(StDuBDS)AH24487146 035 $a(SSID)ssj0000537345 035 $a(PQKBManifestationID)12251889 035 $a(PQKBTitleCode)TC0000537345 035 $a(PQKBWorkID)10552624 035 $a(PQKB)11083414 035 $a(MiAaPQ)EBC3007444 035 $a(Au-PeEL)EBL3007444 035 $a(CaPaEBR)ebr10498867 035 $a(OCoLC)923617582 035 $a(Perlego)3520827 035 $a(EXLCZ)992550000000054468 100 $a20091120d2005 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe guns of independence $ethe siege of Yorktown, 1781 /$fJerome A. Greene 205 $a1st paperback ed. 210 $aNew York $cSavas Beatie ;$aStaplehurst, U.K. $cSpellmount$d2005 215 $a1 online resource (xix, 507 p. ) $cill., maps 300 $aBibliographic Level Mode of Issuance: Monograph 311 08$a9781932714685 311 08$a1932714685 320 $aIncludes bibliographical references and index. 327 $aThe campaign of the allies -- The lion comes to Yorktown -- The British positions -- Washington takes command -- Investment -- The noose tightens -- The lion at bay -- On the verge -- The guns of October -- The earth trembles -- Night of heroes -- Hopes bright and dim -- Britain against the sky -- Broken sword -- Endings, beginnings -- Postscript : thereafter -- Appendix 1. Modern photographic gallery -- Appendix 2. The Washington and Cornwallis correspondence -- Appendix 3. The Articles of Capitulation, October 19, 1781 -- Appendix 4. The archaeology of the French Grand Battery complex -- Appendix 5. The artillery at Yorktown. 330 8 $aA modern, scholarly account of the most decisive campaign during the American Revolution examining the artillery, tactics and leadership involved. The siege of Yorktown in the fall of 1781 was the single most decisive engagement of the American Revolution. The campaign has all the drama any historian or student could want: the war's top generals and admirals pitted against one another; decisive naval engagements; cavalry fighting; siege warfare; night bayonet attacks; and much more. Until now, however, no modern scholarly treatment of the entire campaign has been produced. By the summer of 1781, America had been at war with England for six years. No one believed in 1775 that the colonists would put up such a long and credible struggle. France sided with the colonies as early as 1778, but it was the dispatch of 5, 500 infantry under Comte de Rochambeau in the summer of 1780 that shifted the tide of war against the British. In early 1781, after his victories in the Southern Colonies, Lord Cornwallis marched his army north into Virginia. Cornwallis believed the Americans could be decisively defeated in Virginia and the war brought to an end. George Washington believed Cornwallis's move was a strategic blunder, and he moved vigorously to exploit it. Feinting against General Clinton and the British stronghold of New York, Washington marched his army quickly south. With the assistance of Rochambeau's infantry and a key French naval victory at the Battle off the Capes in September, Washington trapped Cornwallis on the tip of a narrow Virginia peninsula at a place called Yorktown. And so it began. Operating on the belief that Clinton was about to arrive with reinforcements, Cornwallis confidently remained within Yorktown's inadequate defenses. Determined that nothing short of outright surrender would suffice, his opponent labored day and night to achieve that end. Washington's brilliance was on display as he skillfully constricted Cornwallis's position by digging entrenchments, erecting redoubts and artillery batteries, and launching well-timed attacks to capture key enemy positions. The nearly flawless Allied campaign sealed Cornwallis's fate. Trapped inside crumbling defenses, he surrendered on October 19, 1781, effectively ending the war in North America. Penned by historian Jerome A. Greene, The Guns of Independence: The Siege of Yorktown, 1781 offers a complete and balanced examination of the siege and the participants involved. Greene's study is based upon extensive archival research and firsthand archaeological investigation of the battlefield. This fresh and invigorating study will satisfy everyone interested in American Revolutionary history, artillery, siege tactics, and brilliant leadership. 607 $aYorktown (Va.)$xHistory$ySiege, 1781 676 $a973.3/37 700 $aGreene$b Jerome A$01127130 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910963280903321 996 $aThe guns of independence$94351996 997 $aUNINA