LEADER 03692nam 2200889Ia 450 001 9910963141703321 005 20200520144314.0 010 $a9780511208577 010 $a051120857X 010 $a9781107147003 010 $a110714700X 010 $a9781280540349 010 $a1280540346 010 $a9780511213960 010 $a0511213964 010 $a9780511215759 010 $a0511215754 010 $a9780511210389 010 $a0511210388 010 $a9780511314803 010 $a0511314809 010 $a9780511481819 010 $a0511481810 010 $a9780511212154 010 $a0511212151 024 7 $a2027/heb07666 035 $a(CKB)1000000000353405 035 $a(EBL)266561 035 $a(OCoLC)173610075 035 $a(SSID)ssj0000144714 035 $a(PQKBManifestationID)11169441 035 $a(PQKBTitleCode)TC0000144714 035 $a(PQKBWorkID)10145528 035 $a(PQKB)11327271 035 $a(UkCbUP)CR9780511481819 035 $a(Au-PeEL)EBL266561 035 $a(CaPaEBR)ebr10131680 035 $a(CaONFJC)MIL54034 035 $a(MiAaPQ)EBC266561 035 $a(dli)HEB07666 035 $a(MiU)MIU01000000000000007433414 035 $a(EXLCZ)991000000000353405 100 $a20140717d2004 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aEight centuries of troubadours and trouveres $ethe changing identity of medieval music /$fJohn Haines 205 $a1st ed. 210 $aCambridge, U.K. ;$aNew York $cCambridge University Press$d2004 215 $a1 online resource (xii, 347 pages) $cdigital, PDF file(s) 225 1 $aMusical performance and reception 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 08$a9780521108140 311 08$a0521108144 311 08$a9780521826723 311 08$a0521826721 320 $aIncludes bibliographical references and index. 327 $aThe first readers -- The changing song -- Enlightened readers -- The science of translation -- Recent readings -- Conclusions -- Epilogue. 330 $aThis 2004 book traces the changing interpretation of troubadour and trouvere music, a repertoire of songs which have successfully maintained public interest for eight centuries, from the medieval chansonniers to contemporary rap renditions. A study of their reception therefore serves to illustrate the development of the modern concept of 'medieval music'. Important stages include sixteenth-century antiquarianism, the Enlightenment synthesis of scholarly and popular traditions and the infusion of archaeology and philology in the nineteenth century, leading to more recent theories on medieval rhythm. More often than now, writers and performers have negotiated a compromise between historical research and a more imaginative approach to envisioning the music of troubadours and trouveres. This book points not so much to a resurrection of medieval music in modern times as to a continuous tradition of interpreting these songs over eight centuries. 410 0$aMusical performance and reception. 606 $aTroubadours 606 $aTrouve?res 606 $aMusic$y500-1400$xHistory and criticism 615 0$aTroubadours. 615 0$aTrouve?res. 615 0$aMusic$xHistory and criticism. 676 $a782.4/3/09 700 $aHaines$b John$0697851 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910963141703321 996 $aEight centuries of troubadours and trouveres$91493601 997 $aUNINA