LEADER 03914nam 22007333 450 001 9910962922403321 005 20251117090030.0 010 $a1-351-91924-5 010 $a0-367-88824-6 010 $a9786612040115 010 $a1-315-24950-2 010 $a1-84760-007-7 010 $a1-282-04011-1 024 7 $a10.4324/9781315249506 035 $a(CKB)3710000001081462 035 $a(MiAaPQ)EBC3306050 035 $a(Au-PeEL)EBL3306050 035 $a(CaPaEBR)ebr10567277 035 $a(CaONFJC)MIL204011 035 $a(OCoLC)797832542 035 $a(OCoLC)988387731 035 $a(MiAaPQ)EBC30765198 035 $a(Au-PeEL)EBL30765198 035 $a(BIP)63372679 035 $a(BIP)7007402 035 $a(EXLCZ)993710000001081462 100 $a20240119h20162001 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 00$aMaster narratives $etellers and telling in the English novel /$fedited by Richard Gravil 205 $a1st ed. 210 1$aLondon, [England] ;$aNew York, New York :$cRoutledge,$d2016. 210 4$d©2001 215 $a271 p. $cill 225 1 $aNineteenth Century Series 300 $aFirst published 2001 by Ashgate Publishing. 311 08$a0-7546-0128-5 311 08$a1-351-91925-3 320 $aIncludes bibliographical references and index. 327 $a1. How pleasant to meet Mr. Fielding : the narrator as hero in Tome Jones / W.B. Hutchings -- 2. 'Where then lies the difference?' : the (ante)postmodernity of Tristram Shandy / Jayne Lewis -- 3. Old mortality : editor and narrator / Mary Wedd -- 4. Mathilda : who knew too much / Frederick Burwick -- 5. 'Perswasion' in Persuasion / Jane Stabler -- 6. Wuthering Heights as bifurcated novel / Frederick Burwick -- 7. Negotiating Mary Barton / Richard Gravil -- 8. Nell, Alice and Lizzie : three sisters amidst the grotesque / Alan Shelston -- 9. The androgyny of Bleak House / Richard Gravil -- 10. Middlemarch and 'the home epic' / Nicola Trott -- 11. The ghost of doubt : writing, speech and language in Lord Jim / Gerard Barrett -- 12. Liking or disliking : Woolf, Conrad, Lawrence / Michael O'Neill. 330 $aAuthors whose works are discussed in this collaborative book, covering a 'long' nineteenth century, include Sterne, Fielding, Scott, Austen, Mary Shelley, Emily BrontA?«, Gaskell, Dickens, George Eliot, Conrad, Woolf, and Lawrence. Most of the chapters focus on a single work, among them Tristram Shandy, Wuthering Heights, Bleak House, Middlemarch and Lord Jim, asking why, in the end, does this novel matter, and what does it invite us to 'see'. The contributors examine aspects of narrative technique which are crucial to interpretation, and which bring something new or distinctive into fiction. The introduction asks whether such experimentation may be driven by challenges to society's 'master narratives' - for instance, by a desire to circumvent the reader's ideological defences - and whether, in a radical model of canon-formation, such narrative innovation may be an aspect of canonicity. 410 0$aNineteenth century (Aldershot, England) 606 $aEnglish fiction$xHistory and criticism 606 $aAuthors and readers$zGreat Britain$xHistory 606 $aReader-response criticism$zGreat Britain 606 $aStorytelling in literature 606 $aPoint of view (Literature) 615 0$aEnglish fiction$xHistory and criticism. 615 0$aAuthors and readers$xHistory. 615 0$aReader-response criticism 615 0$aStorytelling in literature. 615 0$aPoint of view (Literature) 676 $a813.009 702 $aGravil$b Richard 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910962922403321 996 $aMaster narratives$94468106 997 $aUNINA