LEADER 02376nam  2200577Ia 450 
001 9910962833803321
005 20200520144314.0
010   $a0-8166-8387-5
035   $a(CKB)1000000000347231
035   $a(EBL)310240
035   $a(OCoLC)476093195
035   $a(SSID)ssj0000123779
035   $a(PQKBManifestationID)11936795
035   $a(PQKBTitleCode)TC0000123779
035   $a(PQKBWorkID)10010566
035   $a(PQKB)10233398
035   $a(MiAaPQ)EBC310240
035   $a(Au-PeEL)EBL310240
035   $a(CaPaEBR)ebr10159444
035   $a(EXLCZ)991000000000347231
100   $a19920831d1993      ub         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aClint Eastwood $ea cultural production /$fPaul Smith
205   $a1st ed.
210   $aMinneapolis $cUniversity of Minnesota Press$dc1993
215   $a1 online resource (xvii, 292 pages) $cillustrations
225 1 $aAmerican culture ;$vv. 8
311 0 $a0-8166-1960-3 
311 0 $a0-8166-1958-1 
320   $aIncludes bibliographical references (p. 283-287) and index.
327   $aContents; Acknowledgments; Introduction; Subaltern Spaghetti; Genre; Restitution; At the Smithsonian; Homesteaders; Misogyny; Just Entertainment; The Opposite of Fascism; Pauline's Knee, Harry's War; Amongst Men; ''Who Knows? Maybe It Was You""; Gay Subtext; Eastwood Bound; Burlesque Body; Lethal Weapons; Drugs; Servicemen; Performance and Identification; The Meaning of Black; Auteur-Father; Coda; Notes; Bibliography; Index
330   $aThe first full-length study of Clint Eastwood (or any contemporary figure in film) that not only interprets and critiques his films but demonstrates their complex and problematic relationship to American culture.
410  0$aAmerican culture (Minneapolis, Minn.) ;$v8.
606   $aMotion pictures$xSocial aspects$zUnited States
606   $aPopular culture$zUnited States
615  0$aMotion pictures$xSocial aspects
615  0$aPopular culture
676   $a791.43/028/092
676   $a791.43028092
700   $aSmith$b Paul$f1954 November 23-$01891097
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910962833803321
996   $aClint Eastwood$94533779
997   $aUNINA