LEADER 01022nam0-22003011i-450 001 990001881380403321 005 20190529131431.0 035 $a000188138 035 $aFED01000188138 035 $a(Aleph)000188138FED01 035 $a000188138 100 $a20021010d1990----km-y0itay50------ba 101 0 $aita 200 1 $aPossibilita di impiego del telerilevamento di satellite nella cartografia tematica applicata all'idrologia agraria$fGuido D'Urso. 210 $as.l.$c...$d1990. 215 $ap. 65-74$d24 cm 300 $aEstr. da: Annali della Facolta di Agraria dell' Universita del Molise, 1,1990. 610 0 $aIrrigazione 676 $a631.7 700 1$aD'Urso,$bGuido$f<1961- >$0748346 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aLG 912 $a990001881380403321 952 $a60 OP. 152/2$fFAGBC 959 $aFAGBC 996 $aPossibilita di impiego del telerilevamento di satellite nella cartografia tematica applicata all'idrologia agraria$91498857 997 $aUNINA DB $aING01 LEADER 04636nam 2200661Ia 450 001 9910962750703321 005 20200520144314.0 010 $a9780814337097 010 $a0814337090 035 $a(CKB)2670000000151109 035 $a(OCoLC)777565122 035 $a(CaPaEBR)ebrary10533495 035 $a(SSID)ssj0000606693 035 $a(PQKBManifestationID)11372169 035 $a(PQKBTitleCode)TC0000606693 035 $a(PQKBWorkID)10581833 035 $a(PQKB)11708044 035 $a(MiAaPQ)EBC3416440 035 $a(OCoLC)794700671 035 $a(MdBmJHUP)muse11056 035 $a(Au-PeEL)EBL3416440 035 $a(CaPaEBR)ebr10533495 035 $a(OCoLC)923510526 035 $a(MiAaPQ)EBC31349297 035 $a(Au-PeEL)EBL31349297 035 $a(Perlego)4160422 035 $a(EXLCZ)992670000000151109 100 $a20110422d2012 ub 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aSoldiers, rebels, and drifters $egay representation in Israeli cinema /$fNir Cohen 205 $a1st ed. 210 $aDetroit $cWayne State University Press$dc2012 215 $a1 online resource (264 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 08$a9780814334782 311 08$a0814334784 320 $aIncludes bibliographical references and index. 327 $aIntroduction: Zionism, homosexuality, and film -- An imagined city for an imagined community: Tel Aviv and gay identity on the Israeli screen -- Melodrama, decadence, and death in Amos Guttman's cinema -- Gay men and the establishment in the films of Eytan Fox -- Real lives: new Israeli nonfiction gay cinema -- Recent developments and future directions: some concluding notes. 330 8 $aA cultural history of gay filmmaking in Israel that explores its role in the rise of gay consciousness over the past three decades. Despite the canonical status of the written word in forging the Zionist-Israeli national narrative and its subversive derivatives, the emergence of gay consciousness in the mid-1970s relied more on cinematic representations than those found in literature, journalism, or popular music. Film's global distribution reached wide overseas audiences and emphasized gay men and lesbians' roles in representing "liberal" Israel to the world. In Soldiers, Rebels, and Drifters: Gay Representation in Israeli Cinema author Nir Cohen studies the role of cinema in portraying gay identities, environments, and lifestyles in Israel over the past three decades, particularly in the wake of a series of legal battles for gay rights in the 1980s and 1990s. In five chapters, Cohen examines the past, present, and future of gay filmmaking in Israel. In chapter 1, he traces the roots of an imagined Israeli gay community in film by examining the parallels between constructing gay identity on screen and representing the city of Tel Aviv as a cosmopolitan metropolis, with a focus on the early films of Amos Guttman and Eytan Fox. In chapter 2, he explores Guttman's films in detail to trace their contribution to the evolution of a gay identity in 1980s Israel. Chapter 3 shifts to the work of Eytan Fox, probably the most prolific gay Israeli director since Guttman. In chapter 4, Cohen tackles nonfiction gay filmmaking in Israel in the form of documentaries and self-authored films. Chapter 5 concludes the volume with a look at the current state of gay filmmaking in Israel, including the new directions that recent films have taken and the increasing interest in the experience of gay men and lesbians from religious communities. Beyond simple textual analysis, Cohen addresses the institutional apparatuses of the movie industry, including the politics behind funding, censorship, and television broadcasting, and relates the films studied to the cultural and political history of Israel since the late 1970s. Film and television scholars, as well as those interested in queer studies and the cultural history of Israel will be grateful for this thorough study of gay Israeli cinema. 606 $aHomosexuality in motion pictures 606 $aGay people in motion pictures 606 $aMotion pictures$zIsrael 615 0$aHomosexuality in motion pictures. 615 0$aGay people in motion pictures. 615 0$aMotion pictures 676 $a791.43086/64 700 $aCohen$b Nir$f1976-$01810487 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910962750703321 996 $aSoldiers, rebels, and drifters$94361836 997 $aUNINA