LEADER 04257oam 2200589I 450 001 9910962747303321 005 20251117100452.0 010 $a1-84888-057-X 024 7 $a10.1163/9781848880573 035 $a(CKB)2670000000350178 035 $a(EBL)3316254 035 $a(SSID)ssj0001358778 035 $a(PQKBManifestationID)11899584 035 $a(PQKBTitleCode)TC0001358778 035 $a(PQKBWorkID)11283154 035 $a(PQKB)11420392 035 $a(MiAaPQ)EBC3316254 035 $a(OCoLC)891397103 035 $a(nllekb)BRILL9781848880573 035 $a(BIP)34203886 035 $a(EXLCZ)992670000000350178 100 $a20191130d2011 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aCan I Play with Madness? Metal, Dissonance, Madness and Alienation /$fEdited by Colin McKinnon; Niall Scott; Kristen Sollee 205 $aFirst edition. 210 1$aLeiden; $aBoston :$cBRILL,$d2011. 215 $a1 online resource (208 p.) 225 0 $aCritical Issues 300 $a"This eBook gathers together contributions presented at the 3rd Global Conference on Heavy Fundametalisms: Music, Metal and Politics, held in Prague in November 2010." 311 08$a90-04-40358-2 320 $aIncludes bibliographical references at the end of each chapters. 327 $a""Front Cover""; ""Inside Cover""; ""Advisory Board""; ""ISBN""; ""Table of Contents""; ""Introduction""; ""PART 1: Analysing Insanity""; ""Goethe vs. Rammstein: Who is Allowed to Play with Madness? The Influence of Musical Taste on Prejudice against Heavy Metal Lyrics""; ""Death and Life: The Role of Music and the Others""; ""Textual Analysis of Song Lyrics Adopting a Mental Health Diagnostic Standard as Method""; ""PART 2: Disparate Disciplines: Theoretical Applications of Madness in Heavy Metal""; ""Two Steps past Insanity: The Expression of Aggression in Death Metal Music"" 327 $a""Can Progressive Metal's Narrative Inform Social Stigma Theory? Pain of Salvation's The Perfect Element """"Hysteric Desire: Sexual Positions, Sonic Subjectivity and Gender Play in Glam Metal""; ""PART 3: More Madness in the Metal Method: A Spectrum Disorder of Theoretical and Applied Research Approaches""; ""No Method in the Madness? The Problem""; ""Qualtitative Research in Understanding the Metal Community""; ""Heavy Metal, Identity Work and Social Transitions: Implicaitons for Young People's Well Being in the Australian Context"" 327 $a""PART 4: Ripping it Up: Metal as a Symptom of a Civilised and Aggressive Disorder""""Heavy Metal Rituals and the Civilising Process""; ""Cycles of Metal and Cycles of Male Aggression: Ageing and the Changing Aggressive Impulse""; ""Metal Disorder, Metal Disturbance""; ""PART 5: Challenging Perceptions on Metal and Suicide""; ""War Inside My Head: Metal, Mental Illness and Psychic Energy""; ""Suicide, Metal Music and Expectancy Theory""; ""Emo Saved My Life: Challenging the Mainstream Discourse of Mental Illness around My Chemical Romance"" 327 $a""Does Death and Suicide Sound Like the Music You Hear?""""PART 6: Positively Mad: Black Metal Health and the Construction of Identity""; ""Playing with Madness in the Forest of Shadows: Dissonance, Deviance and Non-Conformity in the Black Metal Scene""; ""Lord Satan's Secret Rites and Satanism as Self-Therapy: The Creation of a Masculinity Gender Identity within Black Metal""; ""'A Furore Normannorum, Libera Nos Domine!' A Short History of Going Berserk in Scandanavian Literature and Heavy Metal"" 330 $a'Can I Play with Madness? Metal, Dissonance, Madness and Alienation' is an interdisciplinary publication that presents new, experimental and original work on the relationships between heavy metal music culture, mental health and well-being. 606 $aHeavy metal (Music)$vCongresses 615 0$aHeavy metal (Music) 676 $a784 702 $aMcKinnon$b Colin 702 $aScott$b Niall 702 $aSollee$b Kristen 801 0$bNL-LeKB 801 1$bNL-LeKB 906 $aBOOK 912 $a9910962747303321 996 $aCan I Play with Madness? Metal, Dissonance, Madness and Alienation$94478876 997 $aUNINA