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100   $a20050207d2005      ub         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 00$aRevolt, affect, collectivity $ethe unstable  boundaries of Kristeva's polis /$fedited by Tina Chanter and  Ewa Ponowska Ziarek
210   $aAlbany $cState University of New York Press$dc2005
215   $a1 online resource (225 p.)
225 1 $aSUNY series in gender theory
300   $aDescription based upon print version of record.
311 08$a9780791465677 
311 08$a0791465675 
320   $aIncludes bibliographical references and index.
327   $a""Revolt, Affect, Collectivity""; ""Contents""; ""Introduction""; ""Part 1.FEMININITY, RACE, AND REVOLT""; ""1. Julia Kristeva and the Revolutionary Politics of Tel Quel""; ""2. From Revolution to Revolt Culture""; ""3. Kristeva and Fanon: Revolutionary Violence and Ironic Articulation""; ""4. Revolt and Forgiveness""; ""Part 2. AFFECT, COMMUNITY, POLITICS""; ""5. The Skin of the Community: Affect and Boundary Formation""; ""6. Bearing Witness in the Polis: Kristeva, Arendt, and the Space of Appearance""; ""7. Political Affections: Kristeva and Arendt on Violence and Gratitude""
327   $a""Part 3. ABJECTION, FILM, AND MELANCHOLIA""""8. The Exoticization and Universalization of the Fetish, and the Naturalization of the Phallus: Abject Objections""; ""9. On the Border between Abjection and the Third: The (Re)Birth of Narcissus in the Works of Julia Kristeva""; ""10. Black and Blue: Kieslowskia???s Melancholia""; ""Contributors""; ""Index""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""I""; ""J""; ""K""; ""L""; ""M""; ""N""; ""O""; ""P""; ""R""; ""S""; ""T""; ""U""; ""V""; ""W""; ""Z""
330   $aThese original essays explore how the concept of revolution permeates and unifies Julia Kristeva's body of work by tracing its trajectory from her early engagement with the Tel Quel group, through her preoccupation in the 1980s with abjection, melancholia, and love, to her latest work. Some of the leading voices in Kristeva scholarship examine her reevaluation of the concept of revolt in the context of the changing cultural and political conditions in the West; the questions of the stranger, race, and nation; her reflections on narrative, public spaces, and collectivity in the context of her engagement with Hannah Arendt's work; her development and refinement of the notions of abjection, melancholia, and narcissism in her ongoing interrogation of aesthetics; as well as her contribution to film theory. Focused primarily on Kristeva's newest work?much of it only recently translated into English?this book breaks new ground in Kristeva scholarship.
410  0$aSUNY series in gender theory.
606   $aPhilosophy, French$y20th century$xHistory and criticism
615  0$aPhilosophy, French$xHistory and criticism.
676   $a194
701   $aChanter$b Tina$f1960-$01120291
701   $aZiarek$b Ewa Ponowska$f1961-$01811528
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910962690603321
996   $aRevolt, affect, collectivity$94363445
997   $aUNINA