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100   $a20040429d2005      uy         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 14$aThe composer as intellectual $emusic and ideology in France 1914-1940 /$fJane F. Fulcher
205   $a1st ed.
210   $aNew York $cOxford University Press$d2005
215   $a1 online resource (488 p.)
225 1 $aOxford scholarship online
300   $aFormerly CIP.$5Uk
300   $aPreviously issued in print: 2005.
311 08$a0-19-534296-8 
311 08$a0-19-517473-9 
320   $aIncludes bibliographical references (p. 427-462) and indexes.
327   $aContents; Introduction; 1: Wartime Nationalism, Classicism, and Their Limits; 2: The National or Universal in the Twenties; 3: The "Defense" of French Culture in the Thirties; 4: The Return to Spirit; Conclusion; Notes; Bibliography; Index
330 8 $aIn 'The Composer as Intellectual', musicologist Jane Fulcher reveals the extent to which leading French composers between the world wars were not only aware of, but engaged intellectually and creatively with the central political and ideological issues of the period.
410  0$aOxford scholarship online.
606   $aMusic$zFrance$y20th century$xHistory and criticism
606   $aComposers$zFrance
606   $aMusic$xSocial aspects$zFrance
606   $aMusic$xPolitical aspects$zFrance
615  0$aMusic$xHistory and criticism.
615  0$aComposers
615  0$aMusic$xSocial aspects
615  0$aMusic$xPolitical aspects
676   $a780/.944/09041
700   $aFulcher$b Jane F$01297949
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910962333103321
996   $aThe composer as intellectual$94446621
997   $aUNINA