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101 0 $aeng
135   $aurcn|||||||||
181   $ctxt
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200 10$aEnter the body $ewomen and representation on Shakespeare's stage /$fCarol Chillington Rutter
205   $a1st ed.
210   $aLondon ;$aNew York $cRoutledge$d2001
215   $axxi, 218 p
300   $aBibliographic Level Mode of Issuance: Monograph
311 08$a0-415-14163-X 
311 08$a0-415-14164-8 
320   $aIncludes bibliographical references and index.
327   $achapter 1 Body parts or parts for bodies: speculating on Cordelia -- chapter 2 Snatched bodies: Ophelia in the grave -- chapter 3 Shadowing Cleopatra: making whiteness strange -- chapter 4 Designs on Shakespeare: Troilus's sleeve, Cressida's glove, Helen's placket -- chapter 5 Remembering Emilia: gossiping hussies, revolting housewives.
330   $aEnter the Body offers a series of provocative case studies of the work women's bodies do on Shakespeare's intensely body-conscious stage. Rutter's topics are sex, death, race, gender, culture, politics, and the excessive performative body that exceeds the playtext it inhabits. As well as drawing upon vital primary documents from Shakespeare's day, Rutter offers close readings of women's performance's on stage and film in Britain today, from Peggy Ashcroft's (white) Cleopatra and Whoopi Goldberg's (whiteface) African Queen to Sally Dexter's languorous Helen and Alan Howard's raver 'Queen' of Troy.
606   $aHuman body in literature
606   $aWomen in literature
615  0$aHuman body in literature.
615  0$aWomen in literature.
676   $a822.3/3
700   $aRutter$b Carol Chillington$0687749
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996   $aEnter the body$91232604
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