LEADER 00826nam0-2200253 --450 001 9910633086603321 005 20230103104047.0 100 $a20230103d--------kmuy0itay5050 ba 101 0 $ager 102 $aDE 105 $a 001yy 200 1 $a[Recensione a:] Hommel, Hildebrecht, Heliaia$eUntersuchungen zur Verfassung ...$fA. Steinwenter 210 $aWeimar$cBohlaus Nachfolger$d[s.d.] 215 $a645-649 p.$d21 cm 300 $aSonderabdruck aus der Zeitschrift der Savigny-Stiftung fur Rechtsgeschichte 676 $a340.538$v23$zita 700 1$aSteinwenter,$bA.$01271897 801 0$aIT$bUNINA$gREICAT$2UNIMARC 901 $aBK 912 $a9910633086603321 952 $aBiblioteca Solazzi Busta 13(1), 23$b64372$fFGBC 959 $aFGBC 996 $aHommel, Hildebrecht, Heliaia$92996241 997 $aUNINA LEADER 03570nam 2200685Ia 450 001 9910962198303321 005 20251117065323.0 010 $a1-282-86730-X 010 $a9786612867309 010 $a0-7735-7686-X 024 7 $a10.1515/9780773576865 035 $a(CKB)2670000000080581 035 $a(OCoLC)716062454 035 $a(CaPaEBR)ebrary10424286 035 $a(SSID)ssj0000478791 035 $a(PQKBManifestationID)11291969 035 $a(PQKBTitleCode)TC0000478791 035 $a(PQKBWorkID)10434786 035 $a(PQKB)11202906 035 $a(CEL)432992 035 $a(CaBNvSL)slc00225532 035 $a(Au-PeEL)EBL3332037 035 $a(CaPaEBR)ebr10558986 035 $a(CaONFJC)MIL286730 035 $a(OCoLC)923233946 035 $a(DE-B1597)655806 035 $a(DE-B1597)9780773576865 035 $a(VaAlCD)20.500.12592/96k2bg 035 $a(MiAaPQ)EBC3332037 035 $a(EXLCZ)992670000000080581 100 $a20080521d2007 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aScissors, paper, stone $eexpressions of memory in contemporary photographic art /$fMartha Langford 205 $a1st ed. 210 $aMontreal $cMcGill-Queen's University Press$d2007 215 $a1 online resource (365 p.) 311 08$a0-7735-4078-4 311 08$a0-7735-3211-0 320 $aIncludes bibliographical references and index. 327 $aIntroduction : scissors, paper, stone -- Remembering and forgetting -- Lives of the artists -- Reflections on reflection -- A forgotten man -- Memory/false memory -- Memory and imagination -- Exchange places -- Object-image-memory -- Persistent paths -- Mimics -- Memory and history -- Agit-prompters -- Repossessions -- The pictures that we have -- Flashbulb memories? -- Markers -- Conclusion : is photography an art of memory? 330 $aFinalist: Raymond Klibansky Book Prize Humanities and Social Sciences Federation of Canada (2008) Making a connection between photography and memory is almost automatic. Should it be? In Scissors, Paper, Stone Martha Langford explores the nature of memory and art. She challenges the conventional emphasis on the camera as a tool of perception by arguing that photographic works are products of the mind - picturing memory is, first and foremost, the expression of a mental process. Langford organizes the book around the conceit of the child's game scissors, paper, stone, using it to ground her discussion of the tensions between remembering and forgetting, the intersection of memory and imagination, and the relationship between memory and history. Scissors, Paper, Stone explores the great variety of photographic art produced by Canadian artists as expressions of memory. Their work, including images by Carl Beam, Carole Condé and Karl Beveridge, Donigan Cumming, Stan Denniston, Robert Houle, Robert Minden, Michael Snow, Diana Thorneycroft, Jeff Wall, and Jin-me Yoon, is presented as part of a rich interdisciplinary study of contemporary photography and how it has shaped modern memory. 606 $aMemory in art 606 $aPhotography, Artistic 606 $aPhotography$zCanada 615 0$aMemory in art. 615 0$aPhotography, Artistic. 615 0$aPhotography 676 $a700/.1/08 700 $aLangford$b Martha$01093129 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910962198303321 996 $aScissors, paper, stone$94529441 997 $aUNINA