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010   $a9786612366970
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100   $a19980604d1999      uy         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aRecorded music in American life $ethe phonograph and popular memory, 1890-1945 /$fWilliam Howland Kenney
205   $a1st ed.
210   $aNew York $cOxford University Press$d1999
215   $a1 online resource (279 p.)
300   $aDescription based upon print version of record.
311 08$a0-19-510046-8 
311 08$a0-19-984978-1 
320   $aIncludes bibliographical references and index.
327   $aContents; Introduction: Recorded Music and Collective Memory; 1 Two ""Circles of Resonance"": Audience Uses of Recorded Music; 2 ""The Coney Island Crowd"": The Phonograph and Popular Recordings before World War I; 3 ""His Master's Voice"": The Victor Talking Machine Company and the Social Reconstruction of the Phonograph; 4 The Phonograph and the Evolution of ""Foreign"" and ""Ethnic"" Records; 5 The Gendered Phonograph: Women and Recorded Sound, 1890-1930; 6 African American Blues and the Phonograph: From Race Records to Rhythm and Blues
327   $a7 Economics and the Invention of Hillbilly Records in the South8 A Renewed Flow of Memories: The Depression and the Struggle over ""Hit Records""; 9 Popular Recorded Music within the Context of National Life; Notes; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z
330   $aHave records, compact discs, and other sound reproduction equipment merely provided American listeners with pleasant diversions, or have more important historical and cultural influences flowed through them? Do recording machines simply capture what's already out there, or is the music somehowtransformed in the dual process of documentation and dissemination? How would our lives be different without these machines? Such are the questions that arise when we stop taking for granted the phenomenon of recorded music and the phonograph itself.Now comes an in-depth cultural history of the phonograph
606   $aPopular music$xSocial aspects$zUnited States
606   $aPhonograph$xSocial aspects$zUnited States
606   $aSound recording industry$zUnited States$xHistory
606   $aPopular culture$zUnited States$xHistory$y20th century
615  0$aPopular music$xSocial aspects
615  0$aPhonograph$xSocial aspects
615  0$aSound recording industry$xHistory.
615  0$aPopular culture$xHistory
676   $a306.4/84
700   $aKenney$b William Howland$01859815
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910962166003321
996   $aRecorded music in American life$94464036
997   $aUNINA