LEADER 00668nam0-22002651i-450- 001 990000352360403321 005 20001010 035 $a000035236 035 $aFED01000035236 035 $a(Aleph)000035236FED01 035 $a000035236 100 $a20001010d--------km-y0itay50------ba 101 0 $aita 105 $ay-------001yy 200 1 $aCIVIL Engineering Materials$fEdited by N. Jackson. 210 $aLondon$cMacMillan Press Ltd.$d1977 676 $a668 702 1$aJackson,$bN. 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990000352360403321 952 $a04 186-368$bCA$fDINCH 959 $aDINCH 997 $aUNINA DB $aING01 LEADER 00755nam0 2200277 450 001 9910648196103321 005 20230309115356.0 010 $a9780826522450 100 $a20230309d2019----km y0itay50 ba 101 0 $aeng 102 $aUS 105 $a 001yy 200 1 $aNarrative socciology$fedited by Leslie Irvine, Jennifer L. Pierce and Robert Zussman 210 $aNashville$cVanderbilt University$d2019 215 $aIX, 338 p.$d23 cm 454 0$12001 610 0 $aSociologia 676 $a301$v22$zita 702 1$aIrvine,$bLeslie 801 0$aIT$bUNINA$gREICAT$2UNIMARC 901 $aBK 912 $a9910648196103321 952 $a301 IRV 1$b9770$fBFS 959 $aBFS 996 $aNarrative socciology$93026603 997 $aUNINA LEADER 03520oam 2200685I 450 001 9910962075103321 005 20251116210941.0 010 $a1-134-69517-9 010 $a0-203-75478-6 010 $a1-134-69510-1 024 7 $a10.4324/9780203754788 035 $a(CKB)3710000000106233 035 $a(EBL)1683579 035 $a(SSID)ssj0001195339 035 $a(PQKBManifestationID)11670190 035 $a(PQKBTitleCode)TC0001195339 035 $a(PQKBWorkID)11161589 035 $a(PQKB)11373690 035 $a(MiAaPQ)EBC1683579 035 $a(Au-PeEL)EBL1683579 035 $a(CaPaEBR)ebr10870214 035 $a(CaONFJC)MIL603005 035 $a(OCoLC)879074582 035 $a(OCoLC)879429262 035 $a(FINmELB)ELB131733 035 $a(EXLCZ)993710000000106233 100 $a20180706d2003 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aDramatic monologue /$fGlennis Byron 205 $a1st ed. 210 1$aLondon ;$aNew York :$cRoutledge,$d2003. 215 $a1 online resource (176 p.) 225 1 $aNew Critical Idiom 300 $aDescription based upon print version of record. 311 08$a0-415-22937-5 311 08$a0-415-22936-7 320 $aIncludes bibliographical references and index. 327 $aCover; Title; Copyright; Contents; SERIES EDITOR'S PREFACE; ACKNOWLEDGEMENTS; 1 Introduction; 2 Definitions; Setting the terms of the debate; Poet and speaker; Reader and auditor; Character and subject; Changes in the canon; 3 Origins; The influence of genre theory; Reacting to the Romantics; Contemporary theories of poetry; Self in the broader context; An alternative theory; 4 Men and women; Women's voices; The critique of gender ideology; Men's voices; The gendered dynamics of self and other; Cross-gendered monologues; The monologue in dialogue; 5 Victorian developments 327 $aThe question of styleThe historical consciousness; Questions of epistemology; Social critique; 6 Modernism and its aftermath; The decline of the genre?; An alternative view; Sixties revival; 7 Contemporary dramatic monologues; The dramatic monologue and society; Revisionist dramatic monologues; Dramatic monologues and the media; GLOSSARY; BIBLIOGRAPHY; INDEX 330 $aThe dramatic monologue is traditionally associated with Victorian poets such as Robert Browning and Alfred Tennyson, and is generally considered to have disappeared with the onset of modernism in the twentieth century. Glennis Byron unravels its history and argues that, contrary to belief, the monologue remains popular to this day. This far-reaching and neatly structured volume:* explores the origins of the monologue and presents a history of definitions of the term* considers the monologue as a form of social critique* explores issues at play in our understanding of the genr 410 0$aNew critical idiom. 606 $aEnglish poetry$xHistory and criticism 606 $aDramatic monologues$xHistory and criticism 606 $aAmerican poetry$xHistory and criticism 615 0$aEnglish poetry$xHistory and criticism. 615 0$aDramatic monologues$xHistory and criticism. 615 0$aAmerican poetry$xHistory and criticism. 676 $a821/.02 700 $aByron$b Glennis$f1955-$0290505 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910962075103321 996 $aDramatic monologue$94491621 997 $aUNINA