LEADER 03135oam 2200613I 450 001 9910961903303321 005 20251116193006.0 010 $a1-136-56860-3 010 $a0-415-85062-2 010 $a1-315-01865-9 010 $a1-136-56853-0 024 7 $a10.4324/9781315018652 035 $a(CKB)2550000001131248 035 $a(StDuBDS)AH25705246 035 $a(SSID)ssj0001168052 035 $a(PQKBManifestationID)11668613 035 $a(PQKBTitleCode)TC0001168052 035 $a(PQKBWorkID)11142677 035 $a(PQKB)11691917 035 $a(MiAaPQ)EBC1474557 035 $a(Au-PeEL)EBL1474557 035 $a(CaPaEBR)ebr10786624 035 $a(CaONFJC)MIL530957 035 $a(OCoLC)862049100 035 $a(OCoLC)868972990 035 $a(FINmELB)ELB137903 035 $a(EXLCZ)992550000001131248 100 $a20180331e20051972 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aShakespeare's tragic sequence /$fKenneth Muir 205 $a1st ed. 210 1$aLondon ;$aNew York :$cRoutledge,$d2005. 215 $a1 online resource (216 p.) 225 0 $aTragedies ;$vVI 225 0$aRoutledge library editions.$pShakespeare 300 $aFirst published in 1972 by Hutchinson University Library. 311 08$a0-415-35325-4 311 08$a1-299-99706-6 320 $aIncludes bibliographical references and index. 327 $a1. Introduction 2. Apprenticeship 3. Julius Caesar 4. Hamlet 5. Othello 6. King Lear 7. Macbeth 8. Antony and Cleopatra 9. Coriolanus Timon of Athens 330 8 $aThe emphasis of this book is that each of Shakespeare's tragedies demanded its own individual form and that although certain themes run through most of the tragedies, nearly all critics refrain from the attempt to apply external rules to them.$bFirst published in 1972. The emphasis of this book is that each of Shakespeare's tragedies demanded its own individual form and that although certain themes run through most of the tragedies, nearly all critics refrain from the attempt to apply external rules to them. The plays are almost always concerned with one person; they end with the death of the hero; the suffering and calamity that befall him are exceptional; and the tragedies include the medieval idea of the reversal of fortune. First published in 1972. The emphasis of this book is that each of Shakespeare's tragedies demanded its own individual form and that although certain themes run through most of the tragedies, nearly all critics refrain from the attempt to apply external rules to them. The plays are almost always concerned with one person; they end with the death of the hero; the suffering and calamity that befall him are exceptional; and the tragedies include the medieval idea of the reversal of fortune. 410 0$aRoutledge library editions.$pShakespeare. 676 $a210 700 $aMuir$b Kenneth$0152049 801 0$bFlBoTFG 801 1$bFlBoTFG 906 $aBOOK 912 $a9910961903303321 996 $aShakespeare's Tragic Sequence$91360835 997 $aUNINA