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200 10$aBored to distraction $ecinema of excess in end-of-the-century Mexico and Spain /$fClaudia Schaefer
205   $a1st ed.
210   $aAlbany $cState University of New York Press$dc2003
215   $a1 online resource (212 p.)
225  0$aSUNY series in Latin American and Iberian thought and culture
300   $aDescription based upon print version of record.
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320   $aIncludes bibliographical references (p. 185-194) and index.
327   $a""Bored to Distraction""; ""Contents""; ""Illustrations""; ""Acknowledgments""; ""1. At the Millennium""; ""2. Jaime Humberto Hermosillo's La Tarea""; ""3. How I Spent My Summer Vacation""; ""4. Amores Perros""; ""5. Still Just a Dress Rehearsal?""; ""6. The Demonic Side of Modernity""; ""7. A Few Last Words""; ""Notes""; ""Works Cited""; ""Index""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""J""; ""K""; ""L""; ""M""; ""N""; ""P""; ""R""; ""S""; ""T""; ""U""; ""W""
330   $aPopular culture in the 1990s, especially cinema, can be considered a showcase for the accumulated hopes and fears of the twentieth century. From the promise of material goods to the profusion of despair, from devastating tragedy to exaggerated rapture, a dizzying array of images assaults the eye. Drawing on recent films from Mexico and Spain, Bored to Distraction navigates this visual terrain, from melodrama to horror, looking for what, if anything, might be excessive enough to rouse us from our comfortable everyday routines.
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