LEADER 02605nam 22004573u 450 001 9910789762903321 005 20230725032154.0 010 $a90-485-1260-3 035 $a(CKB)2670000000108210 035 $a(EBL)752455 035 $a(OCoLC)746747235 035 $a(MiAaPQ)EBC3327164 035 $a(EXLCZ)992670000000108210 100 $a20130418d2010|||| u|| | 101 0 $aeng 135 $aur|n|---||||| 200 10$aSowing the seed?$b[electronic resource] $eAppendices 210 $aAmsterdam $cLeiden University Press$d2010 215 $a1 online resource (774 p.) 225 1 $aArchaeological Studies Leiden University, 18 300 $aDescription based upon print version of record. 311 $a90-8728-077-7 327 $a9789087280727_voorkant; 9789087280772.pdf; 9789087280772; Contents; 1. Introduction; 2. Central river area; 3. Coastal region; 4. Vecht region; 5. Eem region; 6. Other sites; 7. Reconstruction of the natural vegetation; 8. Evidence of human impact and plant subsistence from pollen diagrams, wood and charcoal; 9. Evidence of human impact and plant subsistence from macroremains: use plants and food plants from the natural vegetation; 10. Evidence of human impact and plant subsistence from macroremains: potential arable weeds 327 $a11. Evidence of human impact and plant subsistence from macroremains: crop plants and cultivation12. Conclusions; References; Summary; Samenvatting (Dutch summary); Dankwoord; Curriculum vitae; 9789087280772-Appendix-txpdfx-1a_X1a_X1a 330 $aIn 2006 Leiden University has initiated a series Leiden Dissertations at Leiden University Press. This series affords an opportunity to those who have recently obtained their doctorate to publish the results of their doctoral research so as to ensure a wide distribution among colleagues and the interested public. The dissertations will become available both in printed and in digital versions. Books from this LUP series can be ordered through www.lup.nl. The large majority of Leiden dissertations from 2005 onwards is available digitally on www.dissertation.leidenuniv.nl. The understanding of th 410 0$aArchaeological Studies Leiden University, 18 606 $aMesolithic 606 $aNeolithic 606 $aSettlements 615 4$aMesolithic. 615 4$aNeolithic. 615 4$aSettlements. 676 $a934 700 $aOut$b Welmoed$01559574 801 0$bAU-PeEL 801 1$bAU-PeEL 801 2$bAU-PeEL 906 $aBOOK 912 $a9910789762903321 996 $aSowing the seed$93824831 997 $aUNINA LEADER 03450nam 2200805u 450 001 9910960808503321 005 20241219124711.0 010 $a1-84638-121-5 010 $a1-84638-124-X 010 $a1-4619-4735-9 010 $a1-84638-123-1 035 $a(CKB)2550000001130035 035 $a(SSID)ssj0001083626 035 $a(PQKBManifestationID)11681062 035 $a(PQKBTitleCode)TC0001083626 035 $a(PQKBWorkID)11018034 035 $a(PQKB)11463460 035 $a(MiAaPQ)EBC3339692 035 $a(Au-PeEL)EBL3339692 035 $a(CaPaEBR)ebr10776347 035 $a(CaONFJC)MIL530082 035 $a(OCoLC)939263839 035 $a(NYHLS)80724 035 $a(EXLCZ)992550000001130035 100 $a20220106d2013|||| m|| 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aRodney Graham: Phonokinetoscope 205 $a1st ed. 210 1$a[Place of publication not identified], $cAfterall,$d2013. 215 $a1 online resource (128 pages) $cillustrations (some color) 225 0 $aOne work series. Rodney Graham 300 $a"One work"--Cover. 311 08$a1-84638-122-3 311 08$a1-299-98831-8 320 $aIncludes bibliographical references. 327 $aIntro -- Contents -- Preface -- Tupoi -- From Topoi to Topologies -- Primordial Encounters -- Cinema as Pharmakon -- 'Pre-positional By-play' -- 'How does it feel? How does it feel?', or Getting Around Husserl's 'Temporal Object' -- Appendix I -- Appendix II -- Plates -- Endnotes. 330 $a"Urban parkland, invention and repetition are the key motifs of Rodney Graham's Phonokinetoscope (2001). Drawing together Graham's early commitment to photography and subsequent investigations into film, music and installation, the work consists of a turntable driving a projector, a vinyl LP with psychedelic rock song written and performed by the artist, and a 16mm film loop featuring Graham riding a bicycle around Berlin's Tiergarten, while tripping on acid. In this book, Shepherd Steiner discusses Phonokinetoscope as a pivotal work in the context of the artist's early explorations of proto-cinema and later preoccupations with the 'temporal object'. He uncovers a practice indebted to deconstruction and a picture of an artist engaged in the most pressing issues confronting contemporary art and theory: reference, mimesis, performance, the legacy of minimalism, topology, irony and memory."--$cprovided by distributor. 606 $aArt and music 606 $aFilm criticism 606 $aArt and music$2fast$3(OCoLC)fst00815413 606 $aFilm criticism$2fast$3(OCoLC)fst00924259 608 $aDiscursive works 608 $aEssays 608 $aCritical Writing.$2fast 608 $aEssay.$2fast 615 10$aArt and music. 615 10$aFilm criticism. 615 17$aArt and music. 615 17$aFilm criticism. 676 $a128 700 $aSteiner$b Shep$01623672 702 $aAlessi$b Gaia 702 $aEllegaard$b Line 702 $aEsche$b Charles 702 $aGraham$b Rodney 702 $aLewis$b Mark 702 $aO'Dwyer$b Deirdre 702 $aWoodley$b Caroline 712 02$aLibrary Stack (Organization), 801 0$bNYHLS 801 1$bNYHLS 852 $aNYHLS 906 $aBOOK 912 $a9910960808503321 996 $aRodney Graham: Phonokinetoscope$94447325 997 $aUNINA