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035   $a(OCoLC)1047906428
035   $a(MdBmJHUP)muse68454
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035   $a(Au-PeEL)EBL5450053
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100   $a20180427d2018      uy         0
101 0 $aeng
135   $aur|||||||nn|n
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 14$aThe Baroque Night /$fSpencer Golub
205   $a1st ed.
210   $aEvanston, Illinois $cNorthwestern University Press$d2018
215   $a1 online resource
311 08$a0-8101-3781-X 
311 08$a0-8101-3782-8 
320   $aIncludes bibliographical references and index.
327   $aNoir -- House -- Train -- D(r)ead -- Ipseity -- Habeas corpus.
330   $aIn The Baroque Night , authorial idiosyncrasy hybridizes the concepts of "baroque" and "noir" across the fields of film, theater, literature, and philosophy, arguing for mental function as form, as an impossible object, a container in which the container itself is the thing contained.
606   $aMind and reality
606   $aReality in mass media
606   $aMotion pictures$xPhilosophy
606   $aFilm noir$xHistory and criticism
615  0$aMind and reality.
615  0$aReality in mass media.
615  0$aMotion pictures$xPhilosophy.
615  0$aFilm noir$xHistory and criticism.
676   $a791.43/655
700   $aGolub$b Spencer$0974394
801  0$bMdBmJHUP
801  1$bMdBmJHUP
906   $aBOOK
912   $a9910960617703321
996   $aThe Baroque Night$94457706
997   $aUNINA