LEADER 04123nam 22009254a 450 001 9910960547003321 005 20200520144314.0 010 $a9780511102349 010 $a0511102348 010 $a9781107131088 010 $a1107131081 010 $a9781280419096 010 $a1280419091 010 $a9781139147316 010 $a1139147315 010 $a9780511170355 010 $a0511170351 010 $a9780511063725 010 $a0511063725 010 $a9780511057397 010 $a0511057393 010 $a9780511323942 010 $a0511323948 010 $a9780511481932 010 $a0511481934 010 $a9780511072185 010 $a051107218X 024 7 $a2027/heb07608 035 $a(CKB)1000000000018041 035 $a(EBL)218159 035 $a(OCoLC)57419435 035 $a(SSID)ssj0000121982 035 $a(PQKBManifestationID)11139990 035 $a(PQKBTitleCode)TC0000121982 035 $a(PQKBWorkID)10122685 035 $a(PQKB)10869148 035 $a(Au-PeEL)EBL218159 035 $a(CaPaEBR)ebr10069921 035 $a(CaONFJC)MIL41909 035 $a(UkCbUP)CR9780511481932 035 $a(MiAaPQ)EBC218159 035 $a(dli)HEB07608 035 $a(MiU)MIU01000000000000007429949 035 $a(EXLCZ)991000000000018041 100 $a20010711d2002 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aChromatic transformations in nineteenth-century music /$fDavid Kopp 205 $a1st ed. 210 $aCambridge ;$aNew York $cCambridge University Press$d2002 215 $a1 online resource (xiii, 275 pages) $cdigital, PDF file(s) 225 1 $aCambridge studies in music theory and analysis ;$v17 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 08$a9780521028493 311 08$a0521028493 311 08$a9780521804639 311 08$a0521804639 320 $aIncludes bibliographical references (p. 264-269) and index. 327 $aCommon-tone tonality -- Three examples of functional chromatic mediant relations in Schubert -- Key harmonic systems and notions of third relations form Rameau -- Hugo Riemann -- Twentieth-century theory and chromatic third relations -- Riemann's legacy and transformation theories -- A chromatic transformation system -- Chromatic mediant relations in musical contexts -- Five analyses. 330 $aDavid Kopp's book develops a model of chromatic chord relations in nineteenth-century music by composers such as Schubert, Beethoven, Chopin, Schumann and Brahms. The emphasis is on explaining chromatic third relations and the pivotal role they play in theory and practice. The book traces conceptions of harmonic system and of chromatic third relations from Rameau through nineteenth-century theorists such as Marx, Hauptmann and Riemann, to the seminal twentieth-century theorists Schenker and Schoenberg and on to the present day. Drawing on tenets of nineteenth-century harmonic theory, contemporary transformation theory and the author's own approach, the book presents a clear and elegant means for characterizing commonly acknowledged but loosely defined elements of chromatic harmony, and integrates them as fully fledged entities into a chromatically based conception of harmonic system. The historical and theoretical argument is supplemented by plentiful analytic examples. 410 0$aCambridge studies in music theory and analysis ;$v17. 517 3 $aChromatic transformations in 19th-century music 606 $aHarmony 606 $aChromaticism (Music) 606 $aMusic$y19th century$xHistory and criticism 615 0$aHarmony. 615 0$aChromaticism (Music) 615 0$aMusic$xHistory and criticism. 676 $a781.2/52 700 $aKopp$b David$01021763 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910960547003321 996 $aChromatic transformations in nineteenth-century music$92425552 997 $aUNINA