LEADER 04211oam 22004694a 450 001 9910960349803321 005 20200505234059.0 010 $a9781885635624 010 $a1885635621 035 $a(CKB)3840000000342619 035 $a(MiAaPQ)EBC5288292 035 $a(OCoLC)1023491810 035 $a(MdBmJHUP)muse66387 035 $a(DE-B1597)716371 035 $a(DE-B1597)9781885635624 035 $a(Perlego)2030937 035 $a(EXLCZ)993840000000342619 100 $a20170922d2018 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe lapidary?s nosegay /$fLara Candland 210 $aFort Collins, Colorado $cThe Center for Literary Publishing, Colorado State University$d[2018] 215 $a1 online resource (127 pages) 225 1 $aThe mountain west poetry series 311 08$a9781885635617 311 08$a1885635613 327 $aA key to parenthetical and other markings -- Notes on the writing of The lapidary's nosegay -- A sudden (((bright coin))) -- Ambuscade of clover -- Angels babble -- Beetle's ordination -- Buttercups rannunculae -- Chartered (((from my otter's window))) -- (((daffodils))) :: (((my blondines))):: -- Declined day-phantom's bare & groping feet -- ((dim)) & unsuspected tenderness -- Eyes-little trees- -- & favorite tints -- Gaunt swimmers ransomed -- Globe-bashful-humming -- (((green cartiers)))- -- *(((hoard of gems))) -- ((( i died))) -- I gather idle (((bumble-bees))) -- Jointed- -- King's fork -- Lost-the stolid bee -- My tree -- (((moth-star dropt))) last night & -- Night hid her throes: -- (((o))) heart-sodden & -- Our antiquary ransacks august -- Pare this apple -- & pauper's slit & -- (((parceled))) in yellow tulle- -- Peeps onto that sleeping egg -- Quivering- -- Ragged phoebes (((tremor))) -- Rapt: morning:: -- :: rouge november- -- September's escutcheon -- Snow falls april (across the altar) -- The child is a small ear -- The (((timbral))) flickers- -- This (((broily))) day -- ***throng of acorns -- Unfrequented & august -- Vane turns in zephyret -- We have slendered ourselves -- Window's anodyne does not fail- -- Extacy -- Yclept -- Zinnia????. 330 $a"The Lapidary's Nosegay, Lara Candland's primer of poems, presents to readers a bouquet of resplendent poems that Candland has created, collaged, curated, and re-imagined by using the rich floral and gem imagery in the poetry of Emily Dickinson as her primary source material. Dickinson and Candland share linguistic and theological roots in the Bible, nineteenth-century American Protestantism, and a lexicon distinctive to their specific individuarian communities, and this collection of poems draws a serpentine kind of map across nearly two centuries, journeying from Amherst, Massachusetts to Provo, Utah, from Dickinson's severe and lush New England to Candland's own jagged, harsh, and stunning high desert Utah. The Lapidary's Nosegay explores the ways that both poets have simultaneously challenged and embraced the axiomatic constraints of religion, landscape, and cultural conventions and expectations of each poet's time and place. Aesthetically, Candland attempts to challenge the hierarchies of the page through linguistic, typographic, and sonic experimentation. The Lapidary's Nosegay carries Dickinsonian echoes to alliterative and parenthetic excessivities that indicate sound stresses, or that pictographically invoke sun, god, ghosts, ecstasy, and the jewels and flowers tumbling throughout Dickinson's own poems. This collection works at toppling textual hierarchies, systematically jumbling sound, text, meaning, symbol, and context, entering the vein of radical American aesthetics, politics, and culture that have shaped Candland's life and poetics."--Provided by publisher. 410 0$aMountain west poetry series. 606 $aExperimental poetry 615 0$aExperimental poetry. 676 $a811.6 700 $aCandland$b Lara$f1967-$01805442 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910960349803321 996 $aThe lapidary?s nosegay$94354037 997 $aUNINA