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100   $a20180706d2009      uy         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 00$aHistory beyond the text $ea student's guide to approaching alternative sources /$fedited by Sarah Barber and Corinna M. Peniston-Bird
205   $a1st ed.
210  1$aAbingdon, Oxon ;$aNew York :$cRoutledge,$d2009.
215   $a1 online resource (225 p.)
225 0 $aRoutledge guides to using historical sources
300   $aReprinted 2010.
311 08$a0-415-42961-7 
320   $aIncludes bibliographical references and index.
327   $aCover; Title; Copyright; Dedication; Contents; List of illustrations; List of contributors; Acknowledgements; 1 Introduction; 2 Fine Art: the creative image; 3 The Cartoon: the image as critique; 4 The Photograph: the still image; 5 Film and Television: the moving image; 6 Music: the composed sound; 7 Oral History: the sound of memory; 8 The Internet: virtual space; 9 Landscape: the configured space; 10 Architecture: the built object; 11 Material Culture: the object; Index
330   $aSources are the bedrock of history. But over the past few years the question of 'what is a historical source' has become an increasingly prominent concern. In History Beyond the Text, Sarah Barber and Corinna Peniston-Bird, open up the discussion on sources to those beyond the 'traditional' ones.
410  0$aRoutledge Guides to Using Historical Sources
606   $aHistory$vSources
615  0$aHistory
676   $a907.2
686   $a15.01$2bcl
701   $aBarber$b Sarah$01845808
701   $aPeniston-Bird$b C. M$01845809
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996   $aHistory beyond the text$94429593
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