LEADER 05037nam 2201345 a 450 001 9910959983903321 005 20251027112046.0 010 $a979-88-8184-055-6 010 $a979-82-16-29228-9 010 $a1-282-52129-2 010 $a9786612521294 010 $a0-8108-6933-0 024 7 $a10.5040/9798881840556 035 $a(CKB)1000000000811775 035 $a(EBL)467411 035 $a(OCoLC)592756157 035 $a(SSID)ssj0000343276 035 $a(PQKBManifestationID)12134552 035 $a(PQKBTitleCode)TC0000343276 035 $a(PQKBWorkID)10290982 035 $a(PQKB)10491223 035 $a(Au-PeEL)EBL467411 035 $a(CaPaEBR)ebr10362753 035 $a(CaONFJC)MIL252129 035 $a(MiAaPQ)EBC467411 035 $a(OCoLC)1250590960$z(OCoLC)592756157$z(OCoLC)639560474$z(OCoLC)647862058$z(OCoLC)656482037$z(OCoLC)682105891$z(OCoLC)992023885$z(OCoLC)1021757951$z(OCoLC)1049850804$z(OCoLC)1050110029$z(OCoLC)1061065655$z(OCoLC)1076769425$z(OCoLC)1077843648$z(OCoLC)1081221968$z(OCoLC)1082603472$z(OCoLC)1086479854$z(OCoLC)1100503643$z(OCoLC)1101718560$z(OCoLC)1110293094$z(OCoLC)1113388411$z(OCoLC)1119124268$z(OCoLC)1152999316$z(OCoLC)1162038114$z(OCoLC)1193007819$z(OCoLC)1228552103$z(OCoLC)1241945016$z(OCoLC)1260379069$z(OCoLC)1260648022$z(OCoLC)1290065676$z(OCoLC)1300704833$z(OCoLC)1303137496$z(OCoLC)1303189649$z(OCoLC)1303292001$z(OCoLC)1392024672$z(OCoLC)1475154561 035 $a(UkLoBP)BP9798881840556BC 035 $a(EXLCZ)991000000000811775 100 $a20090204d2009 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe story of boogie-woogie $ea left hand like God /$fPeter J. Silvester 205 $a2nd ed. 210 $aLanham, Md. $cScarecrow Press$d2009 210 2$aNew York :$cBloomsbury Publishing(US),$d2009. 215 $a1 online resource (438 p.) 300 $aRev. ed. of: A left hand like God, [1989]. 311 08$a0-8108-6924-1 320 $aIncludes bibliographical references and index. 327 $aThe beginnings. Boogie-woogie : early appearances and names by which it was known ; Industries and centers supporting boogie-woogie in the south ; Boogie-woogie eras, musical influences, and significant early pianists -- The urban sound of boogie-woogie. Chicago ; The depression years ; St. Louis and Detroit -- The Carnegie period. The spirituals to swing concerts ; Cafe? society days ; The post-cafe? society period ; On the crest of the wave ; The parting of the ways : rhythm and blues and big-band boogie -- The final curtain. The end of an era ; Many shades of blue ; The contemporary picture -- Recording boogie-woogie and appendixes ; The national and independent record companies. 330 $aThe Story of Boogie-Woogie presents a comprehensive history of boogie-woogie from the early 20th century to the present, describing the style's appearance and development, its offshoots, and the pianists who made it famous, and studying its impact on rhythm and blues, urban blues, and big band swing, leading to the eventual revival of 'classical' boogie-woogie in concerts and festivals. 606 $aPiano music (Boogie woogie)$xHistory and criticism 606 $aMUSIC$xMusical Instruments$xPiano & Keyboard$2bisacsh 606 $aPiano music (Boogie woogie)$2fast$3(OCoLC)fst01063430 608 $aCriticism, interpretation, etc.$2fast 615 0$aPiano music (Boogie woogie)$xHistory and criticism. 615 7$aMUSIC$xMusical Instruments$xPiano & Keyboard. 615 7$aPiano music (Boogie woogie) 676 $a786.2/165 700 $aSilvester$b Peter J$026912 701 $aSilvester$b Peter J$026912 712 02$aBloomsbury (Firm), 801 0$bDLC 801 1$bDLC 801 2$bAGLDB 801 2$bOCLCO 801 2$bOCLCF 801 2$bN$T 801 2$bEBLCP 801 2$bCDX 801 2$bIDEBK 801 2$bE7B 801 2$bCNCGM 801 2$bYDXCP 801 2$bOCLCE 801 2$bPIFSG 801 2$bWY@ 801 2$bSNK 801 2$bDKU 801 2$bAUW 801 2$bINTCL 801 2$bMHW 801 2$bLUE 801 2$bIGB 801 2$bD6H 801 2$bVTS 801 2$bMERUC 801 2$bZCU 801 2$bSTF 801 2$bLOA 801 2$bU3W 801 2$bICG 801 2$bVT2 801 2$bG3B 801 2$bS8J 801 2$bS9I 801 2$bLVT 801 2$bYOU 801 2$bK6U 801 2$bDKC 801 2$bAU@ 801 2$bCOO 801 2$bUX1 801 2$bUWK 801 2$bADU 801 2$bUKCRE 801 2$bAJS 801 2$bQGK 801 2$bDST 801 2$bANO 801 2$bOCLCQ 801 2$bINARC 801 2$bOCLCO 801 2$bOCLCL 801 2$bCLOUD 801 2$bOCLCQ 801 2$bOCLCL 801 2$bUtOrBLW 906 $aBOOK 912 $a9910959983903321 996 $aThe story of boogie-woogie$94454831 997 $aUNINA