LEADER 01783nam 2200397 450 001 996280831203316 005 20231206213924.0 010 $a1-5044-0429-7 024 7 $a10.1109/IEEESTD.1958.7383213 035 $a(CKB)3710000000568070 035 $a(NjHacI)993710000000568070 035 $a(EXLCZ)993710000000568070 100 $a20231206d1958 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aAIEE No 74-1958 $eIEEE Standard Test Code for Industrial Control (600 Volts or Less) /$fInstitute of Electrical and Electronics Engineers 210 1$aPiscataway, New Jersey :$cIEEE,$d1958. 215 $a1 online resource (18 pages) 330 $aThis test code is concerned with tests on a representative sample of an industrial control device or apparatus in order to substantiate conformance of that type of device or apparatus with a recognized standard of performance. The aim is to insure that the test methods and procedures are capable of giving information which is pertinent, significant, and reproducible. No attempt is made to specify standards of acceptability for the apparatus, nor to suggest which, if any of these tests, should be made. 517 $a74-1958 - IEEE Standard Test Code for Industrial Control 517 $aIEEE Standard Test Code for Industrial Control 517 $aAIEE No 74-1958 606 $aElectric motors, Direct current 606 $aElectric controllers 615 0$aElectric motors, Direct current. 615 0$aElectric controllers. 676 $a621.462 801 0$bNjHacI 801 1$bNjHacl 906 $aDOCUMENT 912 $a996280831203316 996 $aAIEE No 74-1958$93647032 997 $aUNISA LEADER 04294oam 22008054a 450 001 9910154966903321 005 20201016234937.0 010 $a1-55458-906-1 024 7 $a10.51644/9781554589067 035 $a(CKB)2550000001127047 035 $a(EBL)3289160 035 $a(SSID)ssj0001150901 035 $a(PQKBManifestationID)11615037 035 $a(PQKBTitleCode)TC0001150901 035 $a(PQKBWorkID)11105318 035 $a(PQKB)11190000 035 $a(SSID)ssj0001071249 035 $a(PQKBManifestationID)11600064 035 $a(PQKBTitleCode)TC0001071249 035 $a(PQKBWorkID)11114711 035 $a(PQKB)11489804 035 $a(CEL)446044 035 $a(OCoLC)863054177 035 $a(CaBNVSL)slc00233380 035 $a(MiAaPQ)EBC3289160 035 $a(OCoLC)816764481 035 $a(MdBmJHUP)muse28554 035 $a(PPN)250538628 035 $a(DE-B1597)667256 035 $a(DE-B1597)9781554589067 035 $a(EXLCZ)992550000001127047 100 $a20121107d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aEcologies of the Moving Image$b[electronic resource] $eCinema, Affect, Nature /$fAdrian J. Ivakhiv 210 1$aWaterloo, Ontario, Canada :$cWilfrid Laurier University Press,$d[2013] 210 4$dİ2013 210 2$aBeaconsfield, Quebec :$cCanadian Electronic Library,$d2013. 215 $a1 online resource (418 p.) 225 1 $aEnvironmental humanities series 311 $a1-55458-905-3 311 $a1-299-96460-5 320 $aIncludes bibliographical references and index. 327 $aIntroduction: Journey into the zone of cinema -- Ecology, morphology, semiosis: A process-relational account of the cinema -- Territory: The geomorphology of the visible -- Encounter: First contact, utopia, and the becoming of another -- Anima Moralia: Journeys across frontiers -- Terra and trauma: The geopolitics of the real -- Afterword: Digital futures in a biosemiotic world. 330 $a"Moving images take us on mental and emotional journeys, over the course of which we and our worlds undergo change. This is the premise of Ecologies of the Moving Image, which accounts for the ways cinematic moving images move viewers in ways that reshape our understanding of ourselves, of life, and of the Earth and universe. This book presents an ecophilosophy of the cinema: an account of the moving image in relation to its lived ecologies--the material, social, and perceptual relations within which movies are produced, consumed, and incorporated into cultural life. Cinema, Adrian Ivakhiv argues, lures us into its worlds, but those worlds are grounded in a material and communicative Earth that supports them, even if that supporting materiality withdraws from visibility. Ivakhiv examines the geographies, visualities, and anthropologies--relations of here and there, seer and seen, us and them, human and inhuman--found across a range of styles and genres, from ethnographic and wildlife documentaries to westerns and road movies, and from sci-fi blockbusters and eco-disaster films to the experimental and art films of Tarkovsky, Herzog, Greenaway, Malick, Dash, and Brakhage as well as YouTube's expanding audiovisual universe. 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