LEADER 01006nam a2200277 i 4500 001 991001883699707536 005 20020508183242.0 008 940608s1985 ||| ||| | ger 020 $a348462518X 035 $ab10927037-39ule_inst 035 $aPARLA150539$9ExL 040 $aDip.to Filol. Class. e Med.$bita 082 0 $a873.01 100 1 $aOtt, Wilhelm$0391824 245 10$aAeneis Buch 8. /$cWilhelm Ott 260 $aTübingen :$bNiemeyer,$c1985 300 $aXVII, 163 p. ;$c24 cm. + 16 schede perforate. 490 0 $aMaterialien zu Metrik und Stilistik ;$v18 490 0 $aMetrische Analysen zu Vergil ;$v8 650 4$aVirgilio Marone, Publio - Metrica$xStudi 907 $a.b10927037$b23-02-17$c28-06-02 912 $a991001883699707536 945 $aLE007 870.1 Vergilius OTT 01.501$cv.8$g1$i2007000010792$lle007$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i11031529$z28-06-02 996 $aAeneis Buch 8$9920169 997 $aUNISALENTO 998 $ale007$b01-01-94$cm$da $e-$feng$gxx $h0$i1 LEADER 03693nam 2200745Ia 450 001 9910959818603321 005 20200520144314.0 010 $a9786613028716 010 $a9781283028714 010 $a1283028719 010 $a9780252090028 010 $a0252090020 035 $a(CKB)3390000000006571 035 $a(OCoLC)709664706 035 $a(CaPaEBR)ebrary10603904 035 $a(SSID)ssj0000544846 035 $a(PQKBManifestationID)11335575 035 $a(PQKBTitleCode)TC0000544846 035 $a(PQKBWorkID)10536604 035 $a(PQKB)11541100 035 $a(MiAaPQ)EBC3414109 035 $a(MdBmJHUP)muse23707 035 $a(Au-PeEL)EBL3414109 035 $a(CaPaEBR)ebr10603904 035 $a(CaONFJC)MIL302871 035 $a(OCoLC)923495841 035 $a(Perlego)2382575 035 $a(EXLCZ)993390000000006571 100 $a20100126d2010 ub 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aScreening Cuba $efilm criticism as political performance during the Cold War /$fHector Amaya 205 $a1st ed. 210 $aUrbana $cUniversity of Illinois Press$dc2010 215 $a1 online resource (249 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 08$a9780252035593 311 08$a0252035593 311 08$a9780252077487 311 08$a0252077482 320 $aIncludes bibliographical references and index. 327 $aStaging film criticism. Cuban culture, institutions, policies, and citizens -- The Cuban revolutionary hermeneutics : criticism and citizenship -- The U.S. field of culture -- U.S. criticism, dissent, and hermeneutics -- Performing film criticism. Memories of underdevelopment -- Lucia -- One way or another -- Portrait of Teresa -- Conclusion. 330 8 $aHector Amaya advances into new territory in Latin American and U.S. cinema studies in this innovative analysis of the differing critical receptions of Cuban film in Cuba and the United States during the Cold War. Synthesizing film reviews, magazine articles, and other primary documents, Screening Cuba compares Cuban and U.S. reactions to four Cuban films: Memories of Underdevelopment, Lucia, One Way or Another, and Portrait of Teresa. In examining cultural production through the lens of the Cold War, Amaya reveals how contrasting interpretations of Cuban and U.S. critics are the result of the political cultures in which they operated. While Cuban critics viewed the films as powerful symbols of the social promises of the Cuban revolution, liberal and leftist American critics found meaning in the films as representations of anti-establishment progressive values and Cold War discourses. By contrasting the hermeneutics of Cuban and U.S. culture, criticism, and citizenship, Amaya argues that critical receptions of political films constitute a kind of civic public behavior. 606 $aMotion pictures, Cuban$zUnited States 606 $aMotion pictures$zCuba$xHistory$y20th century 606 $aMotion pictures$xPolitical aspects$zCuba 606 $aFilm criticism$zUnited States$xHistory$y20th century 606 $aFilm criticism$zCuba$xHistory$y20th century 615 0$aMotion pictures, Cuban 615 0$aMotion pictures$xHistory 615 0$aMotion pictures$xPolitical aspects 615 0$aFilm criticism$xHistory 615 0$aFilm criticism$xHistory 676 $a791.43097291/09045 700 $aAmaya$b Hector$01696760 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910959818603321 996 $aScreening Cuba$94367979 997 $aUNINA