LEADER 04067nam 2200997 n 450 001 9910959634903321 005 20240912150403.0 010 $a9780190289607 010 $a0190289600 010 $a9780197723371 010 $a0197723373 010 $a9781280503177 010 $a1280503173 010 $a9780195347739 010 $a0195347730 010 $a9781602569508 010 $a1602569509 024 7 $a10.1093/oso/9780195160512.001.0001 035 $a(CKB)111087026783798 035 $a(EBL)279690 035 $a(OCoLC)559851197 035 $a(SSID)ssj0000120153 035 $a(PQKBManifestationID)11145563 035 $a(PQKBTitleCode)TC0000120153 035 $a(PQKBWorkID)10080914 035 $a(PQKB)10871390 035 $a(Au-PeEL)EBL4701139 035 $a(CaPaEBR)ebr11273075 035 $a(CaONFJC)MIL50317 035 $a(OCoLC)53956447 035 $a(OCoLC)1406781515 035 $a(StDuBDS)9780197723371 035 $a(MiAaPQ)EBC4701139 035 $a(MiAaPQ)EBC279690 035 $a(MiAaPQ)EBC31914668 035 $a(Au-PeEL)EBL31914668 035 $a(EXLCZ)99111087026783798 100 $a20040329e20232003 |y | 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aCharles Dickens in cyberspace $ethe afterlife of the nineteenth century in postmodern culture /$fJay Clayton 205 $a1st ed. 210 1$aOxford ;$cOxford University Press,$d2023. 215 $a1 online resource (281 p.) 225 1 $aOxford scholarship online 300 $aPreviously issued in print: 2003. 311 08$a9780195313260 311 08$a0195313267 311 08$a9780195160512 311 08$a0195160517 320 $aIncludes bibliographical references (pages 237-258) and index. 327 $aContents; Introduction: Dickens Browses the World Wide Web; One: The Past in the Future of Cultural Studies Crystal Palace to Millennium Dome; Two: The Voice in the Machine Hazlitt, Austen, Hardy, and James; Three: Undisciplined Cultures Peacock, Mary Somerville, and Mr. Pickwick; Four: Hacking the Nineteenth Century Babbage and Lovelace in The Difference Engine and Arcadia; Five: Concealed Circuits Frankenstein's Monster, Replicants, and Cyborgs; Six: Is Pip Postmodern? Or, Dickens at the Turn of the Millennium; Seven: Genome Time New Age Evolution, The Gold Bug Variations, and Gattaca 327 $aEight: Convergence of the Two Cultures A Geek's Guide Notes; Works Cited; Index 330 8 $aThis text explores links between postmodernism and the 19th century heritage it so often repudiates. Jay Clayton traces circuits that connect Austen, Babbage, Darwin, Dickens and Mary Shelley with their contemporary counterparts: Salman Rushdie, Ridley Scott, Tom Stoppard and others. 410 0$aOxford scholarship online. 606 $aEnglish literature$y19th century$xHistory and criticism$xTheory, etc 606 $aCriticism$zUnited States$xHistory$y20th century 606 $aEnglish literature$xAppreciation$zUnited States 606 $aPostmodernism (Literature)$zUnited States 606 $aLiterature and science$zUnited States 606 $aLiterature and science$zGreat Britain 606 $aRomanticism$zGreat Britain 607 $aUnited States$xCivilization$xBritish influences 607 $aUnited States$xCivilization$y20th century 607 $aGreat Britain$xCivilization$y19th century 615 0$aEnglish literature$xHistory and criticism$xTheory, etc. 615 0$aCriticism$xHistory 615 0$aEnglish literature$xAppreciation 615 0$aPostmodernism (Literature) 615 0$aLiterature and science 615 0$aLiterature and science 615 0$aRomanticism 676 $a823/.8 700 $aClayton$b Jay$f1951-$01788432 801 0$bDLC 801 1$bDLC 801 2$bUk 801 2$bStDuBDSZ 801 2$bStDuBDSZ 906 $aBOOK 912 $a9910959634903321 996 $aCharles Dickens in cyberspace$94323351 997 $aUNINA