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100   $a20180706e20151983  uy         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aEssays on fiction 1971-82 /$fFrank Kermode
205   $a1st ed.
210  1$aAbingdon, Oxon :$cRoutledge,$d2015.
215   $a1 online resource (238 p.)
225 1 $aRoutledge Revivals
300   $aFirst published in 1983 by Routledge & Kegan Paul Ltd.
311 08$a1-138-85905-2 
311 08$a1-138-85900-1 
327   $a""Cover""; ""Half Title""; ""Title Page""; ""Copyright Page""; ""Original Title Page""; ""Original Copyright Page""; ""Table of Contents""; ""Acknowledgments""; ""Prologue""; ""1 The English Novel, circa 1907""; ""2 Local and Provincial Restrictions""; ""3 The Use of the Codes""; ""4 Recognition and Deception""; ""5 On Reading Novels""; ""6 Secrets and Narrative Sequence""; ""7 Can We Say Absolutely Anything We Like?""; ""8 Institutional Control of Interpretation""; ""9 Instances of Interpretation: Death and Survival""; ""Appendix: The Single Correct Interpretation""; ""Index""
330   $aIn this book, which was first published in 1983, Frank Kermode looks in particular at the revived Russian Formalism, a highly original body of literary theory that flourished in the years immediately following the Revolution, and at the work of Roman Jakobson, one of its most distinguished exponents. He considers also the work of Foucault, Laca and Levi-Strauss, as well as that of Jacques Derrida, which uses a novel and de(con)structive method of analysis to question to tacit assumptions on which structuralism is based. These essays will be of interest to students of literature.
410  0$aRoutledge revivals.
606   $aFiction$xHistory and criticism
615  0$aFiction$xHistory and criticism.
676   $a809.3
676   $a809.3
700   $aKermode$b Frank$f1919-2010,$0159998
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910959279503321
996   $aEssays on fiction$9172883
997   $aUNINA