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181   $ctxt$2rdacontent
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200 10$aCritical aesthetics and postmodernism /$fPaul Crowther
210   $aOxford $cClarendon Press ;$aNew York $cOxford University Press$d1993
215   $a1 online resource (xiii, 214 pages, 4 unnumbered pages of plates) $cillustrations
300   $aDescription based upon print version of record.
311 08$a0-19-823623-9 
311 08$a0-19-824037-6 
320   $aIncludes bibliographical references and index.
327   $aIntroduction. Experience and Mechanical Reproduction -- PART ONE -- 1. From Diffe?rance to Embodiment: Subjectivity and Symbolic Formations -- 2. Merleau-Ponty: Perception into Art -- 3. Beyond Formalism: Kant's Theory of Art -- 4. The Producer as Artist -- 5. Violence in Painting -- PART TWO -- 6. The Existential Sublime: From Burke's Aesthetics to the Socio-Political -- 7. Moral Insight and Aesthetic Experience: Kant's Theory of the Sublime -- 8. The Kantian Sublime, the Postmodern, and the Avant-Garde -- 9. Sublimity and Postmodern Culture: Lyotard's Les Immate?riaux -- PART THREE -- 10. Postmodernism in the Visual Arts: A Question of Ends -- 11. Creativity, Contemporary Art, and Critical Aesthetics.
330 8 $aKant's theory of the sublime has become one of the most keenly studied elements in both his own aesthetics and aesthetic theory in general. This book offers a sustained analysis of Kant's theory of the sublime as found throughout his critical philosophy.
606   $aPostmodernism
606   $aAesthetics
606   $aAesthetics, Modern$y20th century
615  0$aPostmodernism.
615  0$aAesthetics.
615  0$aAesthetics, Modern
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