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200 1 $a<<1:>> De la lengua a la idea$fFrancisco Matte Bon
210   $aMadrid$cEdelsa$d1995
215   $aXIV, 386 p.$d24 cm
461  0$1001000111586$12001$aGramática comunicativa del español
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200 10$aArt of the Devil /$fArturo Graf
205   $a1st ed.
210   $aNew York $cParkstone International$dc2009
215   $a1 online resource (256 p.)
225  0$aTemporis collection
300   $aTranslation of Il diavolo. Originally published in Italian in 1889. With new illustrations.
311 08$a9781844846467 
311 08$a1844846466 
320   $aIncludes bibliographical references and index.
327   $aCONTENTS; Introduction; The Devil; The Person of the Devil; The Number, Abodes, Qualities, Orders, Hierarchy, Knowledge and Power of Devils; Acts of the Devil; The Devil as Tempter; The Loves and the Offspring of the Devil; Pacts with the Devil; Magic; The History of Magic and Magical Practices; Magicians and Witches; The Inquisition: The Persecution of Magic; Hell; More about Hell; Defeats of the Devil; Conclusion; Notes; Bibliography; Index
330   $a"The Devil holds the strings which move us!" (Charles Baudelaire, The Flowers of Evil, 1857.)Satan, Beelzebub, Lucifer... the Devil has many names and faces, all of which have always served artists as a source of inspiration. Often commissioned by religious leaders as images of fear or veneration, depending on the society, representations of the underworld served to instruct believers and lead them along the path of righteousness. For other artists, such as Hieronymus Bosch, they provided a means of denouncing the moral decrepitude of one's contemporaries. In the same way, literature dealing wit
410  0$aTemporis
606   $aDevil$xChristianity
606   $aDevil in art
615  0$aDevil$xChristianity.
615  0$aDevil in art.
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