LEADER 00931nam0-2200301 --450 
001 9910762401403321
005 20231206133335.0
100   $a20231206d1990----kmuy0itay5050    ba
101 0 $aita
102   $aIT
105   $aa       001yy
200 1 $aLepiota s.l.$fM. Candusso, G. Lanzoni$g80 tavole a colori di Aurel Dermek e Ernesto Rebaudengo$g133 disegni eseguiti dagli autori
210   $aSaronno$cLibreria editrice Biella Giovanna$dstampa 1990
215   $a743 p.$cill.$d25 cm.
225 1 $aFungi Europaei$v4
610 0 $aLEPIOTI
676   $a579.5$v20$zita
700  1$aCandusso,$bMassimo$063865
701  1$aLanzoni,$bGianbattista$063867
702  1$aDermek,$bAurel
702  1$aRebaudengo,$bErnesto
801  0$aIT$bUNINA$gREICAT$2UNIMARC
901   $aBK
912   $a9910762401403321
952   $a579.5 CANM 1990$b508/2023$fFAGBC
959   $aFAGBC
996   $aLepiota s.l$93602121
997   $aUNINA

LEADER 02691nam  2200745 a 450 
001 9910958439903321
005 20241107101509.0
010   $a9781780425931
010   $a1780425937
010   $a9781781606322
010   $a1781606323
010   $a9781283958387
010   $a1283958384
010   $a9781781607589
010   $a1781607583
035   $a(CKB)3710000000573226
035   $a(EBL)4085069
035   $a(SSID)ssj0001632607
035   $a(PQKBManifestationID)16384044
035   $a(PQKBTitleCode)TC0001632607
035   $a(PQKBWorkID)14948866
035   $a(PQKB)10080474
035   $a(MiAaPQ)EBC887035
035   $a(MiAaPQ)EBC4357149
035   $a(Au-PeEL)EBL4357149
035   $a(CaPaEBR)ebr11168502
035   $a(OCoLC)936299224
035   $a(ODN)ODN0002761180
035   $a(Perlego)3733779
035   $a(MiAaPQ)EBC4965078
035   $a(Au-PeEL)EBL4965078
035   $a(CaONFJC)MIL427088
035   $a(OCoLC)968091531
035   $a(EXLCZ)993710000000573226
100   $a20121124d2011      uy         0
101 0 $ager
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$a[Perfect square]$iCamille Pissarro /$f[Nathalia Brodskaya]
205   $a1st ed.
210   $a[New York] $cParkstone International$d[2011]
215   $a1 online resource (85 p.)
300   $aDescription based upon print version of record.
311 08$a1-84484-237-1 
311 08$a1-84484-206-1 
320   $aIncludes bibliographical references.
327   $aIntro -- Die Impressionisten und die Klassische Schule -- Der Künstler -- BIOGRAPHIE -- LISTE DER ABBILDUNGEN.
330   $a"Father Pissarro", as his friends liked to call him, was the most restrained of the artists of the Impressionist movement. Perhaps it was his age, being older than his fellow artists Monet, Sisley, Bazille, and Renoir, or rather his maturity, which resulted in his works having such serene and sober subjects and compositions.A man of simple tastes, he enjoyed painting peasants going about their daily lives. However, Pissarro owes his belated fame to his urban landscapes, which he treated with the same passion he used to paint beautiful stormy skies and frost-whitened mornings.
517 1 $aPissarro
606   $aNonfiction$2OverDrive
606   $aArt$2OverDrive
615 17$aNonfiction.
615  7$aArt.
676   $a759.4
686   $aART000000$2bisacsh
700   $aBrodskaya$b Nathalia$01608524
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910958439903321
996   $aPerfect square$94336086
997   $aUNINA