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100   $a20060208d2006      uy         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aFilm remakes /$fConstantine Verevis
205   $a1st ed.
210   $aEdinburgh $cEdinburgh University Press$d2006
215   $a1 online resource (209 p.)
300   $aDescription based upon print version of record.
311 08$a9780748621866 
311 08$a0748621865 
311 08$a9780748621873 
311 08$a0748621873 
320   $aIncludes bibliographical references and index.
327   $aContents; Preface; Acknowledgements; Introduction: Remaking Film; CHAPTER 1 Commerce; CHAPTER 2 Authors; CHAPTER 3 Texts; CHAPTER 4 Genres; CHAPTER 5 Audiences; CHAPTER 6 Discourse; Conclusion: Remaking Everything; References; Index; 
330   $aThis is the first book to provide a comprehensive and systematic account of the phenomenon of cinematic remaking. Drawing upon recent theories of genre and intertextuality, Film Remakes describes remaking as both an elastic concept and a complex situation, one enabled and limited by the interrelated roles and practices of industry, critics and audiences. This approach to remaking is developed across three broad sections: the first, remaking as industrial category, deals with issues of production, including commerce and authors; the second, remaking as textual category, considers genre, plots a
606   $aFilm remakes$xHistory
606   $aMotion pictures$xHistory
615  0$aFilm remakes$xHistory.
615  0$aMotion pictures$xHistory.
676   $a791.436
700   $aVerevis$b Constantine$01811891
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910958407803321
996   $aFilm remakes$94364085
997   $aUNINA