LEADER 02486nam 2200613 450 001 9910464381803321 005 20200520144314.0 010 $a0-252-09523-5 035 $a(CKB)3710000000055821 035 $a(EBL)3414308 035 $a(SSID)ssj0001058742 035 $a(PQKBManifestationID)11600355 035 $a(PQKBTitleCode)TC0001058742 035 $a(PQKBWorkID)11071147 035 $a(PQKB)11776028 035 $a(MiAaPQ)EBC3414308 035 $a(StDuBDS)EDZ0001639689 035 $a(OCoLC)862809223 035 $a(MdBmJHUP)muse29682 035 $a(Au-PeEL)EBL3414308 035 $a(CaPaEBR)ebr10797368 035 $a(CaONFJC)MIL629308 035 $a(OCoLC)923498127 035 $a(EXLCZ)993710000000055821 100 $a20130418h20132013 ub 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aChristian Petzold /$fby Jaimey Fisher 210 1$aUrbana :$cUniversity of Illinois Press,$d[2013] 210 4$d©2013 215 $a1 online resource (208 p.) 225 0$aContemporary film directors 300 $aDescription based upon print version of record. 311 $a0-252-07950-7 311 $a0-252-03798-7 320 $aIncludes bibliographical references and index. 327 $aA ghostly archeology: the arthouse-genre cinema of Christian Petzold -- An interview with Christian Petzold -- Filmography. 330 8 $aIn 11 feature films across two decades, Christian Petzold has established himself as the most critically celebrated director in contemporary Germany. The best-known and most influential member of the Berlin School, Petzold's career reflects the trajectory of German film from 1970's New German Cinema to more popular fare in the 1990's and back again to critically engaged and politically committed filmmaking. His combination of critical celebration and popular success underscores Petzold's singular cinematic achievement: the deliberate and shrewd negotiation of art cinema and popular Hollywood genre. 410 0$aContemporary Film Directors 606 $aMotion picture producers and directors 608 $aElectronic books. 615 0$aMotion picture producers and directors. 676 $a791.430233092 700 $aFisher$b Jaimey$0864381 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910464381803321 996 $aChristian Petzold$91929341 997 $aUNINA LEADER 02409nam 2200493 n 450 001 996394474903316 005 20221107221256.0 035 $a(CKB)4940000000120147 035 $a(EEBO)2248516620 035 $a(UnM)99825238 035 $a(UnM)9927676300971 035 $a(EXLCZ)994940000000120147 100 $a19930412d1671 uy | 101 0 $aeng 135 $aurbn||||a|bb| 200 14$aLes termes de la ley or, Certain difficult and obscure words and terms of the common laws and statutes of this realm now in use expounded and explained$b[electronic resource] 205 $aNewly corrected and enlarged. With an addition of above one hundred words. 210 $aLondon $cprinted by John Streater, James Flesher, and Henry Twyford, assigns of Richard Atkins and Edward Atkins, Esquires and are to be sold by George Sawbridge, John Place, John Bellinger, William Place, Thomas Basset, Robert Pawlet, Christopher Wilkinson, Thomas Dring, William Jacob, Allan Banks, Ch. Harper, John Amery, John Pool, John Leigh$dAn. 1671 215 $a[16], 613, [3] p 300 $aBy John Rastell. Sometimes attributed to his son, William Rastall, who is usually considered the editor or translator. 300 $aA translation of: Expositiones terminorum legum Anglorum. 300 $aEditor's note "To the reader" signed: T.B., i.e. Thomas Blount. 300 $aParallel English and Law French texts. 300 $aAt foot of title: Cum gratia & privilegio Regić Majestatis. 300 $aThe first leaf bears the royal arms on verso. 300 $aRunning title reads: An exposition of the law-terms. 300 $aWith a final page of errata. 300 $aThe last leaf is blank. 300 $aReproduction of the original in the Harvard University Library. 330 $aeebo-0062 606 $aLaw$zEngland$vDictionaries$vEarly works to 1800 615 0$aLaw 700 $aRastell$b John$fd. 1536.$01001924 701 $aRastell$b William$f1508?-1565.$01001637 701 $aBlount$b Thomas$f1618-1679.$0838907 801 0$bCu-RivES 801 1$bCu-RivES 801 2$bCStRLIN 801 2$bCu-RivES 801 2$bWaOLN 906 $aBOOK 912 $a996394474903316 996 $aLes termes de la ley or, Certain difficult and obscure words and terms of the common laws and statutes of this realm now in use expounded and explained$92322968 997 $aUNISA LEADER 03683nam 2200685Ia 450 001 9910958313803321 005 20241226110713.0 010 $a9781483327488 010 $a1483327485 010 $a9781452247908 010 $a1452247900 035 $a(CKB)2560000000089826 035 $a(EBL)997133 035 $a(OCoLC)809774066 035 $a(MiAaPQ)EBC997133 035 $a(OCoLC)1007859048 035 $a(StDuBDS)EDZ0000159494 035 $a5426 035 $a(EXLCZ)992560000000089826 100 $a19950802d1996 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aConstructing the self in a mediated world /$fedited by Debra Grodin and Thomas R. Lindlof 205 $a1st ed. 210 $aThousand Oaks $cSage Publications$dc1996 215 $a1 online resource (viii, 230 p.) 225 1 $aInquiries in social construction 225 0$aInquiries in social construction 300 $aDescription based upon print version of record. 311 08$a9781322414997 311 08$a1322414998 311 08$a9780803970120 311 08$a0803970129 320 $aIncludes bibliographical references and index. 327 $aCover; Contents; Preface; Part I - Introduction; Chapter 1 - The Self and Mediated Communication; Part II - Self and Media Content; Chapter 2 - All Consuming Selves: Self-Help Literature and Women's Identities; Chapter 3 - Terms of Enmeshment: The Cultural Construction of the Mother-Daughter Relationship; Part III - Self and Media Participation; Chapter 4 - Desperately Seeking Strategies: Reading in the Postmodern; Chapter 5 - ""Gilt by Association"": Talk Show Participants' Televisually Enhanced Status and Self-Esteem 327 $aChapter 6 - Mediating Cultural Selves: Soviet and American Cultures in a Televised ""Spacebridge""Chapter 7 - Constructions of Self and Other in the Experience of Rap Music; Part IV - Relational Selves and the Mediated Context; Chapter 8 - Technology and the Self: From the Essential to the Sublime; Chapter 9 - Therapy and Identity Construction in a Postmodern World; Chapter 10 - Parallel Lives: Working on Identity in Virtual Space; Part V - The Mediated Self and Inquiry; Chapter 11 - Seeking a Path of Greatest Resistance: The Self Becoming Method 327 $aChapter 12 - The Nature of the Individual in Communication ResearchIndex; About the Authors 330 8 $aIn today's world, identities are no longer built solely within communities of family, neighbourhood, school and work - the media plays an important role in formulating our identities or constructions of self. This volume brings together the usually segregated areas of interpersonal and mass communication, and also incorporates work from sociology, psychology and women's studies. Each contributor examines our understanding of self both within a specific context of mediated culture and within a specific theoretical framework, such as critical theory, social constructionism, and feminism. 410 0$aInquiries in social construction. 606 $aIdentity (Psychology) 606 $aIndividuality 606 $aSelf$xSocial aspects 606 $aSelf 615 0$aIdentity (Psychology) 615 0$aIndividuality. 615 0$aSelf$xSocial aspects. 615 0$aSelf. 676 $a155.2 701 $aGrodin$b Debra$0144018 701 $aLindlof$b Thomas R$0143568 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910958313803321 996 $aConstructing the self in a mediated world$94415255 997 $aUNINA