LEADER 02160oam 22004814a 450 001 9910957669903321 005 20251116225237.0 010 $a1-4529-5826-2 035 $a(CKB)4340000000262206 035 $a(OCoLC)1030848235 035 $a(MdBmJHUP)muse67774 035 $a(MiAaPQ)EBC5331711 035 $a(BIP)63251653 035 $a(BIP)61077060 035 $a(EXLCZ)994340000000262206 100 $a20180108d2017 uy 0 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aBrouhaha $eWorlds of the Contemporary /$fLionel Ruffel ; translated by Raymond N. MacKenzie 210 $aMinneapolis $cUniversity of Minnesota Press$d2017 215 $a1 online resource 225 0 $aUnivocal 300 $a"A Univocal book." 311 08$a1-5179-0488-9 320 $aIncludes bibliographical references and index. 327 $aFirst series: exposition -- Second series: media -- Third series: publication -- Fourth series: controversy -- Fifth series: institutions -- Sixth series: archaeology -- Sites of the Conte. 330 $a Within the hypermediated age where knowledge production is decentered and horizontal, the experience of lived time has become a concordance of temporalities. The literary imagination, which was emblematic of modernity and thoroughly connected to the book as a support structure, has now become integrated within a much vaster regime of publication. Thought concerning the world is from now on a thought concerning a plurality of worlds.  By way of six guiding threads (exposition, media, controversy, publication, institutionalization, archaeology), this essay describes the transformation of cultural forms and visions of history.  606 $aPostmodernism 606 $aContemporary, The 608 $aElectronic books. 615 0$aPostmodernism. 615 0$aContemporary, The. 676 $a190.9/05 700 $aRuffel$b Lionel$01237425 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910957669903321 996 $aBrouhaha$94478252 997 $aUNINA