LEADER 03389nam 2200625 450 001 9910828330603321 005 20200520144314.0 010 $a3-0356-1468-7 024 7 $a10.1515/9783035614688 035 $a(CKB)3800000000210461 035 $a(MiAaPQ)EBC5156467 035 $a(DE-B1597)483384 035 $a(OCoLC)1037981343 035 $a(OCoLC)992472011 035 $a(DE-B1597)9783035614688 035 $a(Au-PeEL)EBL5156467 035 $a(CaPaEBR)ebr11605095 035 $a(OCoLC)1051141250 035 $a(PPN)26033152X 035 $a(EXLCZ)993800000000210461 100 $a20180921d2017 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aRe: Futures $eStudio Hani Rashid, University of Applied Arts Vienna /$fHani Rashid, Sophie Luger, editors 210 1$aBasel :$cBirkha?user,$d[2017] 210 4$d©2017 215 $a1 online resource (296 pages) $cillustrations 225 1 $aEdition Angewandte 311 $a3-0356-1466-0 327 $tRe: Futures -- $tRe:Futures 330 $aHani Rashid, Mitbegründer des visionären New Yorker Architekturbüros Asymptote, leitet seit 2011 das Studio Hani Rashid in Wien. Das Programm zielt auf die Entwicklung konzeptueller und praktischer Fähigkeiten zur Schaffung zukunftsgerichteter Architektur: auf die experimentelle Untersuchung ihrer atmosphärischen, phänomenalen und optischen Effekte und Wirkungen, die intelligente Antworten auf gegenwärtige Fragen des Lebensraumes geben, sich zugleich aber einem "Machbarkeitsnachweis" unterziehen. ?Re: Futures" dokumentiert anhand von Texten, digitalen Visualisierungen und deskriptiven Architekturskizzen die in den letzten Jahren entstandenen Arbeiten und entfaltet so ein Spektrum von zeitgenössischen Entwurfsmethoden und zukunftsgerichteten Themen in der Architektur. 330 $aHani Rashid, co-founder of Asymptote, the visionary New York architectural practice, has been heading up Studio Hani Rashid in Vienna since 2011. The curriculum focuses on the development of conceptual and practical skills for creating future-oriented architecture ? on experimental investigation of atmospheric, phenomenal, and visual effects, which provides intelligent solutions for contemporary forms of dwelling and being but which should also satisfy "feasibility criteria". "Re: Futures" uses texts, digital visualizations and descriptive architectural sketches to document the work created over recent years, and thereby reveals a spectrum of contemporary design methods and future-oriented architectural themes. 410 0$aEdition Die Angewandte, University Press.$x1866-248X 606 $aVisionary architecture 606 $aCollege students' art$zAustria$zVienna 606 $aArchitecture$xStudy and teaching (Higher)$zAustria$zVienna 606 $aBauentwurf$2gnd 607 $aAustria$zVienna$2fast 615 0$aVisionary architecture. 615 0$aCollege students' art 615 0$aArchitecture$xStudy and teaching (Higher) 615 7$aBauentwurf. 676 $a720 702 $aRashid$b Hani$f1958- 702 $aLuger$b Sophie 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910828330603321 996 $aRe: Futures$94007867 997 $aUNINA LEADER 05772nam 2200601Ia 450 001 9910957582303321 005 20200520144314.0 010 $a9780826272096 010 $a0826272096 035 $a(CKB)2560000000015205 035 $a(SSID)ssj0000418666 035 $a(PQKBManifestationID)11299186 035 $a(PQKBTitleCode)TC0000418666 035 $a(PQKBWorkID)10377289 035 $a(PQKB)10548382 035 $a(MiAaPQ)EBC3440749 035 $a(OCoLC)868218112 035 $a(MdBmJHUP)muse26901 035 $a(Au-PeEL)EBL3440749 035 $a(CaPaEBR)ebr10400607 035 $a(OCoLC)646066435 035 $a(Perlego)1704288 035 $a(EXLCZ)992560000000015205 100 $a20090824d2009 ub 0 101 0 $aeng 135 $aurcn||||||||| 200 00$aGilbert & Gubar's The madwoman in the attic after thirty years /$fedited with an introduction by Annette R. Federico ; foreword by Sandra M. Gilbert 205 $a1st ed. 210 $aColumbia $cUniversity of Missouri Press$dc2009 215 $axiii, 272 p 300 $aIncludes index. 311 08$a9780826219275 311 08$a0826219276 311 08$a9780826218698 311 08$a0826218695 320 $aIncludes bibliographical references and index. 327 $a"Bursting all the doors": The madwoman in the attic after thirty years / Annette R. Federico -- After Gilbert and Gubar: madwomen inspired by Madwoman / Susan Fraiman -- Modeling the madwoman: feminist movements and the academy / Marlene Tromp -- Gilbert and Gubar's daughters: The madwoman in the attic's spectre in Milton studies / Carol Blessing -- Feminism to ecofeminism: the legacy of Gilbert and Gubar's readings of Mary Shelley's Frankenstein and The last man / Katey Castellano -- Enclosing fantasies: Jane Eyre / Madeleine Wood -- Jane Eyre's doubles? Colonial progress and the tradition of new woman writing in India / Narin Hassan -- Revisiting the attic: recognizing the shared spaces of Jane Eyre and Beloved / Danielle Russell -- The legacy of hell: Wuthering heights on film and Gilbert and Gubar's feminist poetics / Hila Shachar -- The veiled, the masked, and the civil war woman: Louisa May Alcott and the madwoman allegory / Keren Fite -- Sensationalizing women's writing: madwomen in attics, the sensational canon, and generic confinement / Tamara Silvia Wagner -- Ghosts in the attic: Gilbert and Gubar's The madwoman in the attic and the female gothic / Carol Margaret Davison -- Elizabeth Gaskell: a well-tempered madness / Thomas P. Fair -- Mimesis and poiesis: reflections on Gilbert and Gubar's reading of Emily Dickinson / Lucia Aiello. 330 8 $aWhen it was published in 1979, Sandra M. Gilbert and Susan Gubar's The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination was hailed as a pathbreaking work of criticism, changing the way future scholars would read Jane Austen, Mary Shelley, the Bronte?s, George Eliot, and Emily Dickinson. This thirtieth-anniversary collection adds both valuable reassessments and new readings and analyses inspired by Gilbert and Gubar's approach. It includes work by established and up-and-coming scholars, as well as retrospective accounts of the ways in which The Madwoman in the Attic has influenced teaching, feminist activism, and the lives of women in academia. These contributions represent both the diversity of today's feminist criticism and the tremendous expansion of the nineteenth-century canon. The authors take as their subjects specific nineteenth- and twentieth-century women writers, the state of feminist theory and pedagogy, genre studies, film, race, and postcolonialism, with approaches ranging from ecofeminism to psychoanalysis. And although each essay opens Madwoman to a different page, all provocatively circle back-with admiration and respect, objections and challenges, questions and arguments-to Gilbert and Gubar's groundbreaking work. The essays are as diverse as they are provocative. Susan Fraiman describes how Madwoman opened the canon, politicized critical practice, and challenged compulsory heterosexuality, while Marlene Tromp tells how it elegantly embodied many concerns central to second-wave feminism. Other chapters consider Madwoman 's impact on Milton studies, on cinematic adaptations of Wuthering Heights, and on reassessments of Ann Radcliffe as one of the book's suppressed foremothers. In the thirty years since its publication, The Madwoman in the Attic has potently informed literary criticism of women's writing: its strategic analyses of canonical works and its insights into the interconnections between social environment and human creativity have been absorbed by contemporary critical practices. These essays constitute substantive interventions into established debates and ongoing questions among scholars concerned with defining third-wave feminism, showing that, as a feminist symbol, the raging madwoman still has the power to disrupt conventional ideas about gender, myth, sexuality, and the literary imagination. 517 3 $aGilbert and Gubar's The madwoman in the attic after thirty years 517 3 $aMadwoman in the attic after thirty years 606 $aEnglish literature$xWomen authors$xHistory and criticism 606 $aWomen and literature$zGreat Britain$xHistory$y19th century 615 0$aEnglish literature$xWomen authors$xHistory and criticism. 615 0$aWomen and literature$xHistory 676 $a820.9/9287 701 $aFederico$b Annette$f1960-$01804288 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910957582303321 996 $aGilbert & Gubar's The madwoman in the attic after thirty years$94352236 997 $aUNINA